The Prix Ars Electronica kicks off the New Year! For the 35th time in a row, the world’s most traditional media art competition is entering the next round.
This is the question posed by participants in a new training program for cultural producers that provides insights into the way Ars Electronica works.
A new workshop format encourages people to question their own thinking about sustainability and thus initiate change. Let’s take a closer look!
On the occasion of its 25th anniversary in 2004, the time seemed ripe for Ars Electronica to finally go global.
To counteract climate change, plastics must be handled differently. Design, life cycle, recycling on the one hand, industry, society and politics on the other hand are needed for this.
AI, bias, listening infrastructures and art: Laura Welzenbach, Head of Ars Electronica Export, is looking back at the first year of the ArtScience Residency enabled by Art Collection Deutsche Telekom.
What the medical studies of the future look like? Find out with “Virtual Anatomy” at the new JKU medSPACE, developed by the Ars Electronica Futurelab: high-resolution anatomy in 3D, where you can zoom and rotate down to the smallest blood vessel.
After a year of Corona-related postponement, EXPO 2020 is finally getting underway. The Ars Electronica Solutions team is playing a key role in the Austria Pavilion.
There are difficult questions waiting for creative answers
720 tons of food are thrown away in a single day in Catalonia. It is figures like these that have prompted Anastasia Pistofidou, Marion Real and The Remixers of Fab Lab Barcelona, IaaC, to take action.
There are hardly any pictures from that time. It has been over 40 years since Khmer Rouge supporters in Cambodia tried with full force to impose their ideology in the country, wiping out the lives of millions of people.
The world’s oceans not only reflect light, they also reflect the effects of the Anthropocene, the age of humankind.
Exploring new sounds – with great joy in experimentation and a healthy dose of passion.
Since its foundation in 1987, the Prix Ars Electronica has always served as a trend barometer and platform for the collection of current and future visions of artists on the theme of “Art, Technology and Society”.
The reality as we experience it around us, we create ourselves. It is constructed and at the same time changeable and unstable.
Clouds have been telling us all kinds of stories for ages. With the project “Cloud Studies”, the collective “Forensic Architecture” once again looks up to the sky and uses technological tools to re-read clouds of smoke, poison and gas.
Can artificial intelligence help us become more environmentally sustainable? How can we reduce the growing energy requirements of cryptocurrencies? And how can we free the IT sector from fossil fuels?
A “Symphony of Absence” in the Keplerhall is meant to remind of all those celebrating their own festivals outside of Linz.
Education is one of the core aspects of the European Platform for Digital Humanism, which is only natural, as historically education has always been fundamental to what we understand humanism to be.
Innovative concepts for hybrid environments
Digital technology spills into and shapes all aspects of our lives, from the way we inhabit both digital and physical spaces, the ways in which we interact and communicate with others, to the ways we work and plan our lives.
An international collective experimenting between art and science. A multidisciplinary educational organization to explore the origin and nature of life in the universe and the evolution of intelligence. The beginning of a wonderful friendship.
A New Digital Deal – 2021 kicks off the beginning of the doing. A first preview of the Ars Electronica Festival.
An interview with this year’s EMAP Residency Artist: Moritz Simon Geist!