“You are part of a huge weave, that you cannot ignore anymore.” When you enter Diane Cescutti’s website and her work, you enter the world of weaving.
The 50th anniversary of the Art University marks five decades of cultural progress in Linz. We talked to Rector Brigitte Hütter about the digitization of art.
Ryuichi Sakamoto died March 28 at the age of 71. The Japanese pianist, composer and pioneer of electronic music was the winner of the Prix Ars Electronica in 1997.
With 5 interactive installations, Belgian artist Roel Heremans makes the ethical framework for innovation in our society playfully tangible.
How to bring truth to the center of collective perception? Artistic Journalism and Dataspace as ways out of the vacuum of real information.
What does this war mean for each of us? A visualization of facts and figures explains the consequences of an invasion.
Ars Electronica Festival 2022: In a world where neuro-wearables and brain-computer interfaces will soon be ubiquitous, we should also talk about “NeuroRights.”
Find out what we can learn from bacteria and why the future lies in collaborative resistance through the artists behind the project “Bi0film.net – Resist like Bacteria”.
“It takes a village to create something special” and Holly Herndon and her team have succeeded in doing just that. In the interview, she presents her machine learning project in more detail, for which she has now received the European Commission’s STARTS Prize 2022.
Impermanent Paintings in Deep Space 8K: Immerse yourself in audiovisual paintings created in collaboration with generative algorithms.
The interaction between the Atacama sky and clouds with the local audience in Linz: these Chilean artists will represent their home country at the Ars Electronica Festival 2022.
An oversized computer keyboard as a climbing wall on the facade of the Linz Art University. That was the teleclimbing garden.
“Action!” The Ars Electronica Futurelab’s team shares its insights on the new video production system Deep Virtual.
Camera rolling! Ars Electronica Futurelab’s Deep Virtual video production system merges physical and virtual reality to live-stream VR from Deep Space 8K.
How do origami and robotics create music? The Ars Electronica Futurelab’s new video presents the world of oribotic instruments.
In 1990 the time was ripe to take the next evolutionary step in the development of Prix Ars Electronica by adding a new category for “Interactive Art”.
Analog music generates digital visualizations: Maki Namekawa, Cori O’Lan and Rubin Kodheli in a timeless night performance at Deep Space 8K.
Share your future visions with the world – “Memo Futurum” makes this happen until the end of the year. Only in 2046 they will be recalled.
Whether Christmas hurry or Advent lockdown, we have a suitable program for a contemplative pre-Christmas time: The Virtual Crib from St. Mary’s Cathedral in Linz.
For the most recent digitization project, too, a Gothic tomb from the collegiate church of Wilhering, researchers of the Ars Electronica Futurelab successfully used the non-contact method of photogrammetry.
33 years after the very first Linzer Klangwolke in 1979, which marked the beginning of the Ars Electronica Festival, Ars Electronica got the chance to create the 2012 Klangwolke.
After a year of Corona-related postponement, EXPO 2020 is finally getting underway. The Ars Electronica Solutions team is playing a key role in the Austria Pavilion.
…others go to Ars Electronica. Public space/privacy – how do they intertwine and can we trust promises about privacy? This core theme is also represented in the form of festival projects.