The “Hello Machine” is an installation connecting the Ars Electronica Festival Linz, Science Gallery Dublin and Volkswagen Berlins Drive Exhibition, has been developed with the assistance of the Ars Electronica FutureLab, by way of vintage or obsolete pay phones from Hanlon’s collection. The Hello Machine’s ‘Hello Machine – Hello Human’ feature touches on the playful…
This year’s Golden Nica in the Computer Animation/Film/VFX category goes to David OReilly for “Everything,” his game that literally lets you play with everything—from the tiniest atom to the biggest galaxy. In this interview, the artist and game developer tells more about his work.
The idea seems so simple—Rock Print, a STARTS Prize honoree, demonstrates how to build a large structure out of only gravel and wire. But behind the seeming simplicity is the difficulty of implementing the concept in real life. In this interview, Matthias Kohler and Fabio Gramazio of ETH–Swiss Federal Institute of Technology in Zürich tell…
A fresh update from the Tangible Media Group, an interdisciplinary research facility at MIT Media Lab in Cambridge MA, USA, is the latest attraction of the RADICAL ATOMS exhibition in the Ars Electronica Center. These three programmable materials are presented in this interview with Prof. Hiroshi Ishii, the director and founder of the lab.
The Bruckner Orchester’s new chief conductor, Markus Poschner, is not only making some significant changes at Linz’s Brucknerhaus concert venue; he’s also giving a creative makeover to the Big Concert Night at the Ars Electronica Festival. The first such event on which he’s made his mark is set for Sunday evening, September 10, 2017. He…
Visitors of this year’s Ars Electronica Festival will be able to actually take command of an earthmover with their eye movements and mental powers. Read what it takes to participate and how this mind-melting experiment came into existence.
Man meets artificial intelligence in a performance entitled “Corpus Nil.” Depending on the tension and posture of artist Marco Donnarumma’s body, an artificially intelligent algorithm modifies the light and sound on stage. Festivalgoers will be able to experience this spectacle live at the Big Concert Night on Sunday, September 10, 2017. In this interview, Marco…
A monk who’s also an expert in artificial intelligence is one of the speakers at the 2017 Ars Electronica Festival’s Opening Symposium as well as the artificial intelligence Theme Conference. Zenbo Hidaka will discuss the latest technologies, artificially intelligent machines, and spirituality on September 7th and 8th. Here, he provides some initial insights into his…
An Austrian premiere concludes the Festival on Monday, September 11, 2017. Maki Namekawa will perform all 20 of Philip Glass’ piano etudes accompanied by artist Cori Olan’s real-time visualizations. The duo will also present a daily demonstration of their virtuosity in Deep Space 8K. Maki Namekawa tells us more in this interview.
Theater & Digital Media is debuting as a focal-point topic at Ars Electronica this year. September 7-11, 2017, this conclave is hosting encounters of, among others, traditional institutions such as Linz’s Landestheater and performative experiments like “Breaking the Wall” by Chris and Didi Bruckmayr. In this interview, we found out how digital media are changing…
Night owls and music fans are in for a real treat at the 2017 Ars Electronica Festival. The Opening extravaganza on Thursday, September 7th and the Nightline on Friday, September 8th offer highly danceable riffs conducive to high-energy nights. We sat down with the Salon 2000 curatorial team to find out more.
A project entitled “Not Your World Music: Noise in South East Asia” by artists Dimitri della Faille and Cedrik Fermont is one of the very few works about noise & sound art in Southeast Asia. In this interview, the 2017 Golden Nica winners talk about how they got involved in such a huge endeavor and…
The CyberArts exhibition running during the Ars Electronica Festival September 7-11, 2017 once again showcases this year’s Prix Ars Electronica prizewinners. In this interview, the exhibition staff tells us about the show and the accompanying program of events including OK Night.
Screenings, symposia and hands-on adventure with virtual reality installations—there’s a lot doing at this year’s Ars Electronica Animation Festival September 7-11, 2017. We met up with the production team to find out more about the program, the participating artists and their works.
With Sonic Saturday on September 9th and Music Monday on September 11th, the 2017 Ars Electronica Festival now features two days dedicated to sound art. What can we look forward to this year? We found out!
The Campus Exhibition at this year’s Ars Electronica Festival showcases Linz Art University’s Interface Cultures program. “Made in Linz” includes recent works of media art by undergraduates. The program’s founder and director, Christa Sommerer, offers some pre-show insights.
The Linz-based artists’ collective Time’s Up builds walk-through worlds, physical narratives, in which every object tells a story. At Ars Electronica Festival September 7-11, 2017, festivalgoers will be able to experience one of them: “Turnton Docklands.” We talked to Time’s Up about this mix of environmental dystopia, social utopia and disturbing future scenario.
Dealing with complex issues calls for marshalling insights and skills from numerous fields, cultures and perspectives. Excellence in accomplishing this is precisely what the European Commission aims to honor with the STARTS Prize. Here, we present 2017’s best projects and what the jury’s statement has to say about them. Many will be featured in a…
Chrystal Tesla is an average citizen whose homemade devices enable her to successfully fend off the incessant incursions of surveillance technology. This scenario created by artist Kathrin Stumreich and entitled “What would Ted Kaczynski’s daughter do?” has been honored by the City of Linz with the Marianne.von.Willemer.2016 Prize.
TIME OUT .07, the seventh in this ongoing series of exhibitions, is now running at the Ars Electronica Center. TIME OUT is staged twice a year in cooperation with Linz Art University to showcase recent works of media art by students in the school’s Time-based and Interactive Media program. The Blog is spotlighting some of…
The TIME OUT .07 exhibition that opened last week is part of the series of installations staged twice a year jointly by Ars Electronica and Linz Art University. Recent media art projects by students in the school’s Time-based and Interactive Media program are on display in the Ars Electronica Center. The Blog is spotlighting the…
An incisively critical commentary on the obsessive and now-so-pervasive harvesting of data and a plea for the protection of our digital privacy—four schoolboys’ sensor-studded WC has garnered them the 2017 Prix Ars Electronica’s netidee Special Prize. In this interview, Ernst Langmantel, the director of netidee, explains what he likes so much about this project, and…
For her proposal to send a robot with artistic skills into outer space, robotics engineer Sarah Petkus was the recipient of an Honorary Mention from the 2016 art&science@ESA. In this interview, she talks about her plans for her upcoming residency at the European Space Agency (ESA) and the Ars Electronica Futurelab, about humane robots, and…
The 7th installment in the TIME OUT exhibition series opened on Tuesday, May 23, 2017. In cooperation with Linz Art University, the Ars Electronica Center is showcasing recent media art projects by students in the school’s Time-based and Interactive Media program. The Blog is spotlighting the participating students. In this installment, Lisa Bickel and Clemens…
The 7th installment in the TIME OUT exhibition series opens on Tuesday, May 23, 2017 at 6:30 PM. In cooperation with Linz Art University, the Ars Electronica Center is showcasing recent media art projects by students in the school’s Time-based and Interactive Media program. Sarah Hiebl and Marlene Reischl, two of the artists participating in…
This years edition of the mega rock festival ROCK IN RIO will be the first to wow its audience with an illuminated swarm of drones. But before the Ars Electronica Spaxels® can enchant a one-million-plus of people between September 15th and 24th, a three-day marathon rehearsal was staged in Upper Austria over the last Week…
Yen Tzu Chang (TW) is the recipient of the residency STEAM imaging jointly hosted by the Fraunhofer Institute for Medical Image Computing (MEVIS) and Ars Electronica. The Taiwanese media artist will thus have a unique opportunity to work closely together with the Institute’s research staff.