Immerse yourself in Anton Bruckner’s world of music and thought – with unique experiences at the Ars Electronica Center for the 2024 celebration year.
Humans, robots, mixed reality and the future of work: the Ars Electronica Futurelab as part of the CoBot Studio research project.
The pioneers of artistic artificial swarms look to the future: the Ars Electronica Futurelab’s new swarms+art website.
We experiment, develop and tell stories with technology. The first part of Ars Electronica’s 2022 Year in Review shows how.
Finding new ideas for sustainable mobility, with AI and Boston Dynamics’ robot: A unique event in Japan included experts and families alike.
Immerse yourself in the Glockner.Luft.Raum by the Ars Electronica Futurelab: an experience in the new kärnten.museum.
To save Earth, humanity needs to join forces. The Futurelab Day provided unique perspectives on how to proceed.
Technological possibilities give hints of a new humanity. The Ars Electronica Futurelab invited artists and researchers to discuss what comes next.
Since September, the new exhibition “Me and the Machines” has been awaiting you at the Ars Electroncia Center.
How to bring truth to the center of collective perception? Artistic Journalism and Dataspace as ways out of the vacuum of real information.
WebExpression, an audiovisual interpretation of data for Cisco Systems makes abstract dynamics visible, telling a story about hybrid corporate culture.
What does this war mean for each of us? A visualization of facts and figures explains the consequences of an invasion.
Experience spectacular gigapixel images from the Sistine Chapel of the Vatican Museums in Rome up close in the Deep Space 8K.
The Ars Electronica Futurelab invites all festival visitors: Innovative projects, unique performances and entirely new experiences are waiting for you.
In the residency program “STEAM Imaging IV”, Turkish artist Zeynep Abes is tracing the secrets of memory.
Can you dance uncontrollably to electronic music? And can you follow the rhythm after a while to bring yourself back under control? un ctrl knows!
In cooperation with Ars Electronica, TAICCA supports Taiwanese artists that take a look into the future of art, society and technology with their work.
International art and diversity are one of the many key aspects of the Ars Electronica Festival. A project that showcases these components in Linz is the 4th edition of the VH Award.
It is our great pleasure to announce that once again this year, one of the world’s most famous works of art will embellish our Deep Space 8K screen during the Ars Electronica Festival: the Mona Lisa!
Diving into alien worlds, experiencing art and medicine in a completely new way: Research in Deep Space 8K opens up unique opportunities.
Whether individually or in large groups, with robots or in virtual worlds: The Deep Space 8K makes unique research possible.
Hardly any other technology currently leaves us as perplexed as artificial intelligence. The exhibition “Mission AI” at the Deutsches Museum Bonn now also conveys a deep understanding.
Forward-looking prelude to Ingolstadt Science Congress with AI compositions of the Ars Electronica Futurelab co-performed by the Georgian Chamber Orchestra.
At the Ars Electronica Center’s VRLab, it was possible to immerse yourself in virtual worlds and superimpose data on our reality.
[:de]Throughout time and across cultures, humans have been conditioned to view death as an endpoint in the experience of life. In an increasingly globalized and digitalized world, have our traditions and behaviours towards death changed? What happens when data outlives the person?
This year, the Golden Nica in the Digital Communities category goes to Ory Yoshifuji, Co-founder CEO, Ory Laboratory Inc. for his project Avatar Robot Cafe DAWN ver.β.
“It takes a village to create something special” and Holly Herndon and her team have succeeded in doing just that. In the interview, she presents her machine learning project in more detail, for which she has now received the European Commission’s STARTS Prize 2022.
From September 2 to 11, 2010, the Ars Electronica Festival “REPAIR – Ready to pull the lifeline” took place on the grounds of the former tobacco factory in Linz