The Spaxels were just the beginning of a long journey into the future of the Ars Electronica Futurelab
With Oribokit™, a DIY kit for origami robots, Matthew Gardiner aims to collectively cross the boundaries between art and science towards the future.
Innovative concepts for hybrid environments
In 1996, the CAVE, a room in which you can fly through the air, was created in the recently opened Ars Electronica Center.
When humans and robots work side by side, it’s not always easy.
An international collective experimenting between art and science. A multidisciplinary educational organization to explore the origin and nature of life in the universe and the evolution of intelligence. The beginning of a wonderful friendship.
We’ve pinned our hopes for the future on them, but also regard them with suspicion: Robots will soon be part of our daily lives.
In a virtual world, we can simulate truths that would be unimaginable in real life, explore incredible activities, and collaborate with others in a way that goes beyond physical interaction.
Visual media make the invisible visible; document, capture, make emotional. They capture the moment for eternity.
What is the origin of life? What is the origin of the universe? Where do we come from and where are we going? Questions that have preoccupied mankind for millennia, and it doesn’t look like they will be solved soon. For a wonderfully playful perspective, artists are now joining in.
Wanted: Our place in the universe. Found: A team that combines humans and AI to answer fundamental questions. Sarah Petkus and Mark J. Koch aim to educate artificial intelligence to become an individual.
The Christmas story is probably one of the best known and most frequently recited stories in the world. It is not only the story of biblical expectations for the future, but also the story of the origin of our society. This year, it’s becoming virtual reality in the crypt of the Mariendom in Linz and…
They promise a future full of convenience and are said to surpass us humans in every respect quite soon. Artificial intelligence is already way ahead of us in many areas of competence. Just a few years ago, we thought that it was human creativity alone that distinguished the analogue from the digitally generated work. Because…
Future Ink is the result of a mutual inspiration between art and science, with the aim of exploring the creative potential of “ink”. In a process of multiple steps consisting of the implementation of the innovative concepts for Space Ink, AI Ink, Bio Ink, Mind Ink and Body Ink, Space Ink research opens new accesses…
Every year during the Ars Electronica Festival, the Ars Electronica Futurelab opens its gates for the public and invites festival visitors to get to know its latest research findings and collaborative projects in a special, interactive format called Open Futurelab. In this blog post, we want to give you an overview of what you can…
With 2020 being the 500-year anniversary of the artist’s death, Magister Art has created a new cultural project titled Magister Raffaello which will be presented in Deep Space 8K at the Ars Electronica Center on Friday, September 11.
The JKU campus as a place of encounter and as a place for projects that can only be discovered by strolling through the park and looking attentively into the air. JKU LIT @ Ars Electronica as well as the Garden Exhibition in Kepler’s Garden on the JKU Campus feature playful projects that combine various disciplines.
A breathtaking piano piece, a virtual and real performance or a journey back to Roman times, this year’s Deep Space 8K festival program offers all this and much more. Let’s take a closer look into it!
The Ö1 project “Repairing the Future” raises questions such as: Can we rethink and redesign the future with our innovative ideas? And can we use these ideas to bring new concepts to life that do not exist yet? Definitely!
There are countless examples where AI is currently being used in the fight against the Corona virus and many companies, scientists and artists are working on similar plans. We exemplary present you some of these projects.
The Ars Electronica Center may be closed at the moment, but it’s not abandoned. We accompanied a colleague during his work at the Museum of the Future, saw a robot from the inside and learned how 3D printing can help in the corona crisis.
Everyone talks about Artificial Intelligence (AI) – but what exactly is it? This glossary shows and explains the most important terms of the world of AI and connects them with examples from the Ars Electronica Center.
With fascination we go on a time travel back to the 90s – to the “Cave”, a multimedia room in the recently opened Ars Electronica Center where you could float through walls… A lot has changed since then, both technically and contentwise.
On the basis of anonymised mobile phone data, the Austrian company Invenium is creating movement analyses to help the crisis team to check the effectiveness of the measures taken against the Corona virus. But many citizens are concerned about the protection of their data.
We looked at several examples of how Artificial Intelligence, Big Data or Machine Learning are used in the containment of the coronavirus, and the problems, opportunities and challenges they present.
Ein “Donkey Car” ist ein selbstfahrendes Auto im Miniformat, ein ferngesteuertes Auto, das trainiert wird, um eigenständig einen Parcours bewältigen zu können. Im Rahmen der Themenwochen KI findet der Open Workshop “Donkey Training” statt, bei dem BesucherInnen mithilfe Künstlicher Intelligenz einem Roboauto das autonome Fahren beibringen können. Wir haben eine Schritt-für-Schritt-Anleitung für euch zusammengestellt, wie…
We tried for you how to compose music with the Deep Neural Network “MuseNet” from OpenAI and made a step-by-step guide based on it. If you want to learn more about composing music using AI, you should visit the Open Soundstudio at the Ars Electronica Center and participate in the “MuseNet Special” workshop.