It’s one of the world’s largest media art festivals, so, of course, getting your bearings can be a bit of a challenge! To facilitate visitor orientation at the Ars Electronica Festival (September 6-10, 2018), we’re once again offering an interesting array of guided tours. You get the details in this interview.
Even the roof of POSTCITY Linz is a festival venue this year. Visitors to an exhibition entitled “Himatsubushi – the Art of Time Killing” will stroll, lost in thought, across the sundeck, above old spiral packet chutes, and through previously undiscovered conveyor belt units. To find out what’s up at Himatsubushi September 6-10, 2018, take…
“Never call the Deep Space 8K a movie theater!” This year, too, we are taking this motto seriously at the Ars Electronica Festival from September 6 to 10, 2018, and will be presenting a series of new, fascinating visualizations that go far beyond a cinematic experience on the five days of the festival.
The Academy of Error at the 2018 Ars Electronica Festival is bringing international experts in science and research to Linz to reflect on how to come to terms with error. Michael Doser, an antimatter physicist at CERN who will moderate this event on September 9th, gave us a few advance insights into mistakes, research and…
Style transfer technology, actually a byproduct of deep learning, is the main attraction here. In “Creative AI – Style Transfer,” artist-researcher Ali Nikrang shows how artificial neural networks transform a video into an artistic-picturesque world. You can see it at the Ars Electronica Festival September 6-10, 2018.
Panel discussions, speeches and conferences staged over the course of three days will take a theoretical approach to Error – the Art of Imperfection, the theme of this year’s Ars Electronica Festival, September 6-10, 2018. Artistic director Gerfried Stocker and project manager Karla Spiluttini give us a preview in this interview.
The CyberArts Exhibition—as always at the OK Center for Contemporary Art—features the 2018 Prix Ars Electronica prizewinners. This interview provides a preview of the fascinating works on display during the Ars Electronica Festival (September 6-10, 2018) and the 6 days thereafter.
“The Fractured Mirror,” anthropologist and digital ethnographer Beth Singler’s talk at the Ars Electronica Festival’s Theme Symposium on September 7, 2018, will elaborate on artificial intelligence’s effects on us human beings. She gives us an introduction to her topic in this interview.
This is the third consecutive year that ZusammenHelfen in Oberösterreich (HelpingTogether in Upper Austria) is staging a conference at the Ars Electronica Festival in POSTCITY Linz. On September 8, 2018 at 10:00, the focus will be on encouraging those providing aid to refugees. You can find out more in this interview.
Therapy that makes progress even years after a stroke, improved motor functions, and high-tech aids for everyday life—an Upper Austrian firm named g.tec makes it happen. To find out why g.tec’s technologies produce such impressive results and how to try them out at the Ars Electronica Festival September 6-10, 2018, read this interview!
The Ars Electronica campus has long become a festival mainstay. Twenty-four universities have registered this year – reason enough to briefly recount the development of the Campus format and to report on which guest universities will be in Linz from September 6 to 10, 2018.
Where are all the women in electronic music? This question has been posed since the 1990s by Elisabeth Schimana, a music pioneer who’s the Featured Artist at this year’s Ars Electronica Festival September 6-10, 2018. In Linz, she’ll present “Hidden Alliances,” a selection of her works on this subject.
An extensive exhibition is dedicated to Error – the Art of Imperfection, this year’s theme of the Ars Electronica Festival (September 6-10, 2018). This show, divided into two parts, is a protracted encounter with mistakes, deviations from the norm, and fakes. This interview tells how scientific and artistic perspectives are confronting one another here, and…
Difficulties with maintenance, obsolete technologies or a lack of understanding of how high-tech works—media art confronts the classic art market with numerous challenges. Gallery Spaces at the Ars Electronica Festival September 6-10, 2018 will host exhibitions and panel discussions elaborating on these facts & circumstances.
Nightline at the Ars Electronica Festival invites you to dance the night away once again this year. On September 7, 2018, the railroad loading dock (Gleishalle) at POSTCITY Linz will provide just the right ambience for Electro music. For details, read on.
The Campus Exhibition at the Ars Electronica Festival (September 6-10, 2018) by Linz Art University’s Interface Cultures program takes a step back from the hustle & bustle of modern mass media. The theme of “Please Recharge” is pervasive media overload. To find out more, read this interview with program director Christa Sommerer.
The annual Campus Exhibition at the Ars Electronica Festival (September 6-10, 2018) will feature works by students in the Hexagram international network. The exhibition entitled “Taking Care” shows what forms research-creation can take in media art and digital culture. Curator Anna Kerekes gives us a sneak preview in this interview.
The BEEP Electronic Art Collection will exhibit selected works in the Gallery Spaces at the Ars Electronica Festival September 6-10, 2018. In this interview, Director Vicente Matallana talks about media art on the art market and the challenges his work entails.
For the fifth time, the Future Innovators Summit at the Ars Electronica Festival is looking for the ultimate creative questions. The Open Call by Hakuhodo and Ars Electronica is aimed at artists, designers, engineers, scientists, entrepreneurs, social activists and philosophers. Hideaki Ogawa reports on what awaits the participants this September in Linz. The deadline for…
24 hours—that’s all the time allotted to hackers and artists for the completion of their brain-computer interface projects during the BR41N.I0 Hackathon September 8-9, 2018 at the Ars Electronica Festival. To find out what awaits you at this year’s Hackathon set amidst a media art conclave, read on.
Every click and every post on the Internet generates data. The Digital Economy is making billions with our actions on the web and concentrating these profits in the hands of a few. A completely unsatisfactory situation, say LarbitsSisters and initiated the BitSoil Popup Tax & Hack Campaign.
Eight themed programs showcasing the best works submitted this year for Prix Ars Electronica prize consideration have been lined up for Animation Screening at the 2018 Ars Electronica Festival (September 6-10). We talked to curator Jürgen Hagler to learn more.
On the online platform Bellingcat, citizen journalists are looking for the “echoes and ripples” in the digital environment when events like the MH17 incident or war crimes like those in Syria become known. The founder of Bellingcat, Eliot Higgins, talks in an interview about the project, which was recently awarded the Golden Nica, and gives…
By building the world’s first 3-D printed metal bridge, MX3D and the Joris Laarman Lab have provided proof that the MX3D process they have jointly developed makes it possible to create metal objects and structures of any size that are aesthetically pleasing as well as intelligent. They were awarded the STARTS Prize of the European…
Her idea for a way to make music live on beyond humankind’s eventual extinction and to use DNA as the medium to transport this information for eternity garnered Japanese musician Etsuko Yakushimaru the 2017 STARTS Prize. In this interview, she explains her concept of “post-humanity music” and gives her take on mutations that randomly occur…
“Error – The Art of Imperfection” is the theme of this year’s Ars Electronica Festival that’s set for September 6-10 with POSTCITY as its hub. Gerfried Stocker, artistic director of Ars Electronica, talked to us about the festival theme, how we deal with mistakes, and errors as a source of innovation.