CIFO & Ars Electronica

A parallel (r)evolution — Digital Art in Latin America

| | |

Mittwoch, 7. September 2022, 10:00 - 18:00
Donnerstag, 8. September 2022, 10:00 - 20:00
Freitag, 9. September 2022, 10:00 - 18:00
Samstag, 10. September 2022, 10:00 - 18:00
Sonntag, 11. September 2022, 10:00 - 18:00
Alle Termine werden in der Mitteleuropäischen Sommerzeit (MESZ / UTC+2) angegeben.
LENTOS Kunstmuseum Linz

Six artists working in art and technology from across Latin America debut major new commissions within the Ars Electronica Festival at the Lentos Art Museum. The exhibition showcases the works of the inaugural CIFO-Ars Electronica Award recipients, Dora Bartilotti (MX), Electrobiota Collective (AR/MX), Thessia Machado (BR), Amor Muñoz (MX), and Ana Elena Tejera (PA). Their works reflect the ways Latin American artists employ technology such as electronic textiles and AI computers as media to explore individual and collective identity, culture, and history.

Launched this year, the CIFO–Ars Electronica Awards celebrate and advance the practices of emerging and mid-career Latin American artists working with technology in the field of new media and digital art, providing up to $30,000 per recipient to develop a new project. In addition to the exhibition the resulting works join the Cisneros Fontanals Art Foundation (CIFO)’s renowned permanent collection of modern and contemporary art, with a special focus on Latin American art.

The five new works created by the CIFO-Ars Electronica Award recipients represent how artists across Latin America are using technology to grapple with the complex global challenges of our time. Projects were awarded by a selection committee of curators and scholars in contemporary art and new media: Tania Aedo, Sergio Fontanella, Hemma Schmutz, Martin Honzik and Christl Baur. The evaluation was based on conceptual merit, including the artistic and research motives for the project, as well as the context in which the work was created and the artist’s entire body of work.

The result of the submissions, overwhelming in their diversity, has more than provided proof of the excellence of media art while addressing the required social-ecological transformation of our society. A cross-section of the submitted works clearly demonstrates the unique nature of Latin American Media Art as a distinct category owing to its cultural and historical imprint. As such it represents an important extension of the Ars Electronica network and perspective on Media Art. This inaugural exhibition demonstrates the integral role that the Latin American cultural sphere has played in technological developments worldwide, and how critical artistic positions have long accompanied and reflected on those developments.