Music & Sound
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The last Big Concert Night in POSTCITY
It is the prelude to the first ever “AIxMusic Festival” and at the same time one of the last concerts to take place at POSTCITY Linz during the Ars Electronica Festival. We talked to Norbert Trawöger, the artistic director of the Bruckner Orchestra Linz, and Gerfried Stocker, the artistic director of Ars Electronica, about this…
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Futuristic sounds, danceable pop and a pinch of humor: The Ars Electronica Nightline 2019
Ars Electronica Nightline is an annual highlight of the Ars Electronica Festival program not only for the dance-lovers. The train hall of POSTCITY hosts this late Friday lineup of media art, electronic music and performances.
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Volkmar Klien: Total Optimization and Defiance – About artificial intelligence and musical composition
Volkmar Klien, co-curator of the AIxMusic Festival as well as of the Sonic Saturday at the 2019 Ars Electronica Festival, on the relationship between AI and music.
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AI x Music Festival: A look ahead
Music is probably the most emotional art form of all. If we observe people talking about music, recalling their experiences and memories, a difference to their usual style quickly becomes apparent. They touch their hearts, lower their voices, look inside, let their emotions run free. Music is an art form that expresses our feelings in…
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“Today they would be called programmers”
Since June 25, the Ars Electronica Center has been hosting the new “AI X Music” exhibition, which deals with the interaction between artificial intelligence and music as well as the encounter between human creativity and technical perfection. In this interview, Marianne Kneidinger and Gertraud Koblmiller from the Mechanische Klangfabrik Haslach explain the role played by…
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The apt noise for our disturbed existence
The Prix Ars Electronica 2019 Golden Nica in the category “Digital Musics & Sound Art” is staying in the country: for the first time, an Austrian has won the prize as a solo entrant. The Austrian composer and producer Peter Kutin studied at the University of Music and Performing Arts, Vienna, and has written and…
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Hard Rock, Unplugged, in Deep Space 8K: Sergeant Steel
On October 25, 2018, Deep Space 8K at the Ars Electronica Center will turn into a concert hall once again: the hard rock band Sergeant Steel is celebrating their tenth anniversary by playing unplugged with audiovisual accompaniment. We interviewed them to find out exactly what to expect.
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Human and Machine, Dancing: SILK Fluegge
At the Ars Electronica Festival’s Big Concert Night on September 9, 2018, Silke Grabinger and two members of her SILK Fluegge troupe will dance to Symphonie Fantastique performed by the Bruckner Orchestra in the Gleishalle of POSTCITY Linz. Find out more in this interview.
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The best festival tips for: Music Lovers
What would an Ars Electronica Festival be without a comprehensive program for music lovers? We have compiled the best highlights for music fans out of all the concerts, performances, happenings, lectures, tours and more.
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Sonic Saturday: Electroacoustic Music at Its Finest
The Ars Electronica Festival’s Sonic Saturday at Anton Bruckner Privatuniversität is an entire day dedicated to sound art. For a preview of the events lined up on September 8th, read this interview.
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Featured Artist: Elisabeth Schimana
Where are all the women in electronic music? This question has been posed since the 1990s by Elisabeth Schimana, a music pioneer who’s the Featured Artist at this year’s Ars Electronica Festival September 6-10, 2018. In Linz, she’ll present “Hidden Alliances,” a selection of her works on this subject.
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The Media Façade and the Musical Virtuoso
An exceptional young musical artist, his marimba and the media façade—for his new music video, talented percussionist Christoph Sietzen uses the Ars Electronica Center’s interactive façade to set the visual tone for his musical artistry. He tells us more in this interview.
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“Out of Tune” Puts Music Lovers on the Right Track
An internet project entitled Out of Tune recently garnered the 2018 Prix Ars Electronica’s netidee special prize for Samuel Daurer and Ämilian Mayrhofer. The two technical school students programmed a solution to help them stay oriented in the boundless universe of music.
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I’m Humanity: Music for Eternity
Her idea for a way to make music live on beyond humankind’s eventual extinction and to use DNA as the medium to transport this information for eternity garnered Japanese musician Etsuko Yakushimaru the 2017 STARTS Prize. In this interview, she explains her concept of “post-humanity music” and gives her take on mutations that randomly occur…
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Classical Music Meets Real-time Visualization: Pianographique
Two outstanding pianists, one visualization artist and three challenging pieces are what go into “Pianographique.” This musical co-production of Ars Electronica and the Abu Dhabi Festival combines sound and light—Maki Namekawa and Dennis Russell Davies provide the keyboard artistry at one or two pianos; Cori O’Lan accompanies them with real-time visualizations. Find out more in…
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Sound, Light and Pick-up Sticks: Waltraut Cooper
The “Waltraut Cooper. Light and Sound” exhibition co-produced by the Ars Electronica Center is running until January 21, 2018 at Landesgalerie Linz. We spoke with media artist Waltraut Cooper about media art in the 1980s, her fascination with light, and her works on display at Landesgalerie.
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Music That Gets UNDER YOUR SKIN
Experimental musicians Karen Schlimp, Jaap Blonk and Klaus Hollinetz take us along on a sonorous journey through the human skin this Friday, December 1, 2017. In a concert entitled “UNDER YOUR SKIN/Bodyterms” in Deep Space 8K, they’ll play on medical terminology, through scores made of microscope images, and with the full range of their instruments’…
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Markus Poschner’s 1st Big Concert Night Is Entitled “Departure”
The Bruckner Orchester’s new chief conductor, Markus Poschner, is not only making some significant changes at Linz’s Brucknerhaus concert venue; he’s also giving a creative makeover to the Big Concert Night at the Ars Electronica Festival. The first such event on which he’s made his mark is set for Sunday evening, September 10, 2017. He…
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“Corpus Nil”: A Performance by Man and Artificial Intelligence
Man meets artificial intelligence in a performance entitled “Corpus Nil.” Depending on the tension and posture of artist Marco Donnarumma’s body, an artificially intelligent algorithm modifies the light and sound on stage. Festivalgoers will be able to experience this spectacle live at the Big Concert Night on Sunday, September 10, 2017. In this interview, Marco…
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As if in a Trance: Maki Namekawa and “20 Etudes for 20 Etudes”
An Austrian premiere concludes the Festival on Monday, September 11, 2017. Maki Namekawa will perform all 20 of Philip Glass’ piano etudes accompanied by artist Cori Olan’s real-time visualizations. The duo will also present a daily demonstration of their virtuosity in Deep Space 8K. Maki Namekawa tells us more in this interview.
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Consummate Electronic Music: Ars Electronica Nightline 2017
Night owls and music fans are in for a real treat at the 2017 Ars Electronica Festival. The Opening extravaganza on Thursday, September 7th and the Nightline on Friday, September 8th offer highly danceable riffs conducive to high-energy nights. We sat down with the Salon 2000 curatorial team to find out more.
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Not Your World Music: In Search of Traces in Southeast Asia
A project entitled “Not Your World Music: Noise in South East Asia” by artists Dimitri della Faille and Cedrik Fermont is one of the very few works about noise & sound art in Southeast Asia. In this interview, the 2017 Golden Nica winners talk about how they got involved in such a huge endeavor and…
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Sound Art at the 2017 Ars Electronica Festival: Sonic Saturday and Music Monday
With Sonic Saturday on September 9th and Music Monday on September 11th, the 2017 Ars Electronica Festival now features two days dedicated to sound art. What can we look forward to this year? We found out!
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The Artist-in-Residence is Yen Tzu Chang
Yen Tzu Chang (TW) is the recipient of the residency STEAM imaging jointly hosted by the Fraunhofer Institute for Medical Image Computing (MEVIS) and Ars Electronica. The Taiwanese media artist will thus have a unique opportunity to work closely together with the Institute’s research staff.
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Emre Erkal: “Art Generates New Venues”
March 13th is the deadline for submitting works of media art for 2017 Prix Ars Electronica prize consideration. In this interview, sound artist Emre Erkal, one of this year’s jurors in the Digital Musics & Sound Art category, talks about sounds, architecture and artificial intelligence.
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Sonic Saturday: Acoustic Virtual Worlds
September 10th is Sonic Saturday at the 2016 Ars Electronica Festival. Anton Bruckner Private University will stage an extensive electronic music program including concerts and speeches, and the Computer Music Studio is hosting an open house in its recently opened Sonic Lab featuring state-of-the-art audio technology and extraordinary acoustics.
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Ravel meets the Ars Electronica Futurelab at the L.A. Phil
Legendary concert halls like the Disney Hall of the L.A. Phil are famous for their forwardthinking events. Fittingly, the Ars Electronica Futurelab was invited to visualize Maurice Ravel’s famous cycle of fairytales, “Mother Goose” on three consecutive nights between the 12th and the 14th of February.