Impermanent Paintings in Deep Space 8K: Immerse yourself in audiovisual paintings created in collaboration with generative algorithms.
Gustav Klimt and Rebecca Merlic placed the image of the woman at the centre of their artistic work – an analysis.
The interaction between the Atacama sky and clouds with the local audience in Linz: these Chilean artists will represent their home country at the Ars Electronica Festival 2022.
Works of art, buildings, paintings – all these are pieces of the Europa puzzle that can be put together collectively in one place in the Ars Electronica Center’s Deep Space 8K.
On April 28, 2022, Gustav Klimt’s images of women will be in the spotlight. In this article, Franz Smola and Rebecca Merlic give you an insight into the topic of images of women.
The exhibition “Spaceship Earth” dealt with the question of what we can learn about our planet by observing it.
Innocence was a 2013 work by the Ars Electronica Futurelab dedicated to Linz’s childhood memories of the Passage shopping center.
Two years late, TIME OUT is entering its next round. Students from the Linz Art University’s “Time-Based and Interactive Media Arts” program are showing selected works at the Ars Electronica Center.
An oversized computer keyboard as a climbing wall on the facade of the Linz Art University. That was the teleclimbing garden.
During the Ars Electronica Festival in 1996, the indoor pool of the Parkbad Linz transformed into a fluid interactive 3D space.
The exhibition Mirages & miracles at the Ars Electronica Center staged augmented reality in a virtuoso and imaginative way.
MIT-Medialab’s inFORM application addressed the question of how to get the digital back into the physical world.
Can records be made from biomaterials? Artists Kat Austen and Fara Peluso think so and will work on developing a low-carbon alternative to vinyl during their S+T+ARTS Residency.
GeoPulse opened up an interactive experience space for visitors of the Ars Electronica Center that compiled multi-layered data about our world and made it possible to experience it in a playful way.
In 2004, the Ars Electronica Futurelab designed an interactive computer-controlled visualization for the opera “Das Rheingold” by Richard Wagner.
How do origami and robotics create music? The Ars Electronica Futurelab’s new video presents the world of oribotic instruments.
In a glass pyramid, 30 meters above the Danube, Isao Tomita enchanted the visitors of the Klangwolke 1984.
Robert Moog is considered a pioneer of the synthesizer. In the 80s, the American inventor honored us twice in Linz.
On the occasion of the 85th birthday of Philip Glass, one of the most important composers of our time, pianists Dennis Russell Davies and Maki Namekawa dedicated an extraordinary concert to his music.
This is rather extraordinary, when two pianists congratulate a composer on his 85th birthday with his own music.
Philip Glass, the most famous representative of minimal music and longtime companion of Ars Electronica, celebrates his 85th birthday – we congratulate him!
City Puzzle by the Ars Electronica Futurelab was an interactive simulation environment that let you create virtual urban landscapes.
In 1990 the time was ripe to take the next evolutionary step in the development of Prix Ars Electronica by adding a new category for “Interactive Art”.
The Prix Ars Electronica kicks off the New Year! For the 35th time in a row, the world’s most traditional media art competition is entering the next round.
The Morphovision image processing system worked with real objects and opened up new possibilities for plastic design.
Analog music generates digital visualizations: Maki Namekawa, Cori O’Lan and Rubin Kodheli in a timeless night performance at Deep Space 8K.
Paro, an assistant robot with the appearance of a seal, was a visitor magnet at the Ars Electronica Center for years.