How do we as pedestrians want to communicate with the autonomous autos that will soon be driving around our cities? Now is the best time to give some thought to this question, according to the staff of Humanising Autonomy, a project that was honored with a 2017 STARTS Prize and is now collaborating with, among…
The European Space Agency (ESA) annually stages two international workshops for teachers from its member states. ESERO Austria made it possible for two Austrian teachers to take part in this year’s workshop in The Netherlands. Here’s an account of how it went.
What impact do encounters with foreign cultures and religions have on our understanding of fundamental rights? What opportunities and risks are connected with new technologies? And which values are actually important to our young people today? We posed these and other questions to visitors to the Ars Electronica Center on Fundamental Rights Day 2017.
“Homo Digitalis” is a series of seven episodes that present various scenarios of life in the future. Christopher Lindinger, Director of Research & Innovation at the Ars Electronica Futurelab, talks about the part his division played in this Web series produced by BR, ARTE and ORF.
The Campus exhibition that Linz Art University has hosted during the Ars Electronica Festival since 2002 extends an invitation to an art college from a foreign country to come to Linz and showcase the work being done there. This year’s guest is the University of California at Los Angeles. In this interview, Professor Victoria Vesna…
Networking, meeting new people and exchanging ideas with experts—that’s what’s up at ZusammenKommenLab [ComingTogetherLab] at Ars Electronica 2017. On all five days of the festival, ZusammenHelfen in Oberösterreich [HelpingTogether in Upper Austria], your go-to source for ways to help refugees, will be showcasing projects by, with and for immigrants and refugees.
Mark Coeckelbergh, a philosopher of technology, will deliver a speech on intelligent machines and art on Friday, September 8, 2017 at the symposium limning the Ars Electronica Festival theme, “Artificial Intelligence – The Other I.” In this interview, he goes into how culture shapes technology and what characterizes our dealings with artificial intelligence today.
There’s a lot happening at the 2017 Ars Electronica Festival! But with so many exhibitions, concerts, performances, events, workshops, film screenings and awards ceremonies, it’s easy to get lost. That’s why we developed WE GUIDE YOU, a comprehensive lineup of guided tours that make things clear—especially for festivalgoers who speak neither German nor English.
This is the second year that the Ars Electronica Festival is hosting a “Perspectives on Political Education” symposium. This series of events under the aegis of Pädagogische Hochschule OÖ [state teachers college] is set for September 7-8, 2017. This year’s theme: “The world is my world. How much globalization can humankind stand?” Stefan Giegler told…
POINT ZERO, the exhibition elaborating on the Ars Electronica Festival’s theme, “Artificial Intelligence – The Other I,” (September 7-11, 2017) takes on big questions. What is the essence of a human being? Of a machine? Or, for that matter, of data? We sat down for a chat with Ars Electronica Artistic Director Gerfried Stocker to…
The Linz-based artists’ collective Time’s Up builds walk-through worlds, physical narratives, in which every object tells a story. At Ars Electronica Festival September 7-11, 2017, festivalgoers will be able to experience one of them: “Turnton Docklands.” We talked to Time’s Up about this mix of environmental dystopia, social utopia and disturbing future scenario.
The Fraunhofer Institute for Medical Image Computing MEVIS based in Bremen, Germany and Taiwanese media & sound artist Yen Tzu Chang have organized a workshop for pupils in cooperation with the Ars Electronica Center. The workshop blends art and science—in concrete terms, technical procedures of medical imaging and sound art. We talked to Sabrina Haase…
Chrystal Tesla is an average citizen whose homemade devices enable her to successfully fend off the incessant incursions of surveillance technology. This scenario created by artist Kathrin Stumreich and entitled “What would Ted Kaczynski’s daughter do?” has been honored by the City of Linz with the Marianne.von.Willemer.2016 Prize.
The Patient Innovation-platform has brought forward many revolutionary ideas for treating all kinds of diseases. They’ve been developed solely by affected people who as non-experts truly deserve exposure – also at the exhibition “Beyond the Lab: The D.I.Y. Science Revolution” at Ars Electronica Center.
September 7-11, 2017, POSTCITY Linz will be the setting of a stimulating, comprehensive confrontation with the reality and the vision of artificial intelligence. We talked to Ars Electronica Artistic Director Gerfried Stocker about this year’s festival theme.
Even in the 21st century, robotics R&D is still a male domain. On the occasion of International Women’s Day, we discussed this issue with Martina Mara of the Ars Electronica Futurelab. She’s a media psychologist and director of robo-psychology.
Collaboration among science, technology and art is urgently needed! Marleen Stikker and Lucas Evers of the Waag Society talk about these three fields’ commonalities and, shortly before the entry deadline, address a last-chance call to motivate artists, engineers and scientists to submit their transdisciplinary projects for 2017 STARTS Prize consideration.
Ars Electronica launched an online database especially for women in media arts in September 2016. Women in Media Arts now makes it possible for users themselves to input information and modify the database’s entries about female artists. Here, project manager Florina Costamoling provides a brief introduction to the database designed to be used by, among…
In this interview, the artistic director of the Centre for Fine Arts (BOZAR) discusses the artist’s role in this day and age, notes that art also emerges beyond the confines of picture frames, and points out how important it is for disciplines to interconnect.
In early October, the European Space Agency (ESA) invited elementary school teachers from all of its member nations to attend a conference in Noordwijk, The Netherlands. Support from the ESA enabled ESERO Austria to send two teachers from this country to the conclave.
On Kristallnacht in November 1938, a mob acting on orders of the Nazi regime broke into the Linz Synagogue—like so many other Jewish houses of worship that night—ransacked it and set it ablaze. All that remained of the synagogue was a burnt-out ruin.
For “LabOratorium – An Alchemical WorldLab,” the Ars Electronica Solutions came up with an experimental exhibition concept that dovetails nicely with this year’s festival theme. This setup showcased the artists’ works and also gave the participating institutions an opportunity to show what they’re all about. We will show you some impressions of the exhibition at…
POSTCITY in Linz debuted as the Ars Electronica Festival venue in 2015, and the former Austrian Postal Service logistics facility is reprising its role as a setting for media art events this year. Between these two deployments, POSTCITY served as a transit camp for refugees. Paul Reinthaler, regional director of the Red Cross, gives an…
This is a conference organized by ZusammenHelfen in Oberösterreich (Helping Together in Upper Austria) to provide support to, show appreciation for and foster networking among the many volunteers working to aid refugees. Volunteer helpers will be gathering on September 10, 2016 at the Ars Electronica Festival. Nicole Sonnleitner of ZusammenHelfen in Oberösterreich told us more.
The emergence of Facebook, Twitter & Co. in recent years has opened up new options for the exchange of political views. How these digital platforms are changing the political discourse, what new forms of sociopolitical participation are resulting from them, and which challenges they confront us with will be discussed at “Participation & Political Socialization…