This year’s recipients of the Prix Ars Electronica will be selected this weekend. The juries’ three days of deliberations begin today at the Ars Electronica Center Linz, where the many entries will be viewed and assessed by the jurors.
A visually impressive animated work entitled “Forms” wowed the 2013 Prix Ars Electronica jury and garnered the Golden Nica grand prize in the Computer Animation/Film/VFX category for its creators, visual artists Davide Quayola (IT) and Memo Akten (TR). This year, prizewinner Quayola will be one of the experts judging the submissions.
Enrique Rivera is one of the jurors at the Prix Ars Electronica 2014 for the category “Interactive Art”. We asked him what he understands by “interactivity” and whether people in Chile interact differently than people in Japan or Europe.
The well-known Wired Magazine put his name to its list of “50 people who will change the world” considering his way of thinking about future energy efficient cities where architecture senses and responds. An interview with jury member Carlo Ratti.
The Blind Robot by Louis-Philippe Demers (CA) has received a Honorary Mention in Hybrid Art at the Prix Ars Electronica 2013. It was on display during the CyberArts 2013 at TOTAL RECALL – The Evolution of Memory and is part of The Lab, an exhibition curated by Ars Electronica for the ITU Telecom World 2013.
This blog-post sums up Bill Fontana’s last week of his Collide@CERN- Residency.
Watch about Bill Fontana’s third week at the CERN.
The Futurelab launched the Ars Electronica Residency Network at this year’s festival. In the Pixelspaces conference series, an entire segment was devoted to this new program.
After the first week’s video blog, Bill Fontana started exploring the CERN laboratory in many different ways. Armed with his accelerometers, which are used by structural engineers traditionally to measure the movement of structures and his recording equipment, he revealed the inner sound worlds of dipoles, the CERN grid in the computer centre and even…
The Golden Nicas were awarded, and there’s still a lot to discover at TOTAL RECALL – The Evolution of Memory.
Every year before the festival, the OK Offenes Kulturhaus im OÖ Kulturquartier invites all the artists of the CyberArts for a welcome-drink. If it’s up to the artists, Festival Ars Electronica 2013 is ready to begin.
The month of July was Bill Fontana’s first part of his residency at CERN. And he was not alone! He came also with his family, which included his photographer son, Michael Fontana, 18. Every week, Michael interviewed his father and his inspiration partner, CERN cosmologist Subodh Patil about what they were thinking of the week…
Bill Fontana has been busy at the CERN, working as the winner of the Collide@CERN Residency Award. What he has been up to will be subject of this series of blog-posts over the course of the next 4 weeks.
When the CyberArts 2013 opens it’s doors on September 5th, El Campo de Cebada, winners of the Golden Nica in Digital Communities, will be part of it. It’s a self-managed camp in Madrid/Spain, cleverly showing what the urban space of the 21st century might look like. We have talked with Zuloark, the architects behind this…
A highlight of each year’s festival is the CyberArts exhibition featuring installations, videos and performances singled out for recognition by the Prix Ars Electronica. Martin Sturm, director of the OK Center for Contemporary Art, is responsible for the exhibition’s design. In this interview, he reveals some of what awaits festivalgoers in 2013.
Voilá, those are the Golden Nicas and Awards of Distinctions of Prix Ars Electronica 2013.
Since 1987, the Prix Ars Electronica has been one of the most prestigious prizes awarded in the world of media art. The process of deciding which works are singled out for recognition is quite elaborate. After all, there are thousands of submissions to evaluate in order to finally arrive at the most excellent and most…
The Ars Electronica Blog recently published an interview with Christine Schöpf and Jürgen Hagler about the Prix and computer animation. In this installment, they discuss the Animation Festival.
Bill Fontana, der Gewinner des Prix Ars Electronica Collide@CERN Residency Awards, wurde für vier Tage nach Genf zu CERN eingeladen, um dort seine Einführung in die Aktivitäten und Forschungsgebiete von CERN zu bekommen. Als Koordinatorin des Programmes seitens der Ars Electronica war es mir eine Ehre, diese Zeit mit dem Künstler und Ariane Koek, der…
2013 is the 27th edition of Prix Ars Electronica, so there’s quite some history to look back on. Christine Schöpf, who has been around from the beginning, talks about the not so humble beginnings of the Prix and discusses the current trends in computer-animation, vfx and so on with Jürgen Hagler, who is an expert…
Toru Hayai was the first one to submit his work for the Prix 2013, only a couple of hours into the submission-process. We have caught up with him to find out a little bit about him and his work. Who are you and what do you spend your time with? I’m Toru Hayai, CG director…
[:de]Was haben John Lasseter, der erste Animator bei Pixar Studios, Sir Tim Berners-Lee, der Erfinder von HTML, einer der Grundlagen des heutigen Internets, und Wikipedia gemeinsam? Alle Erwähnten wurden entweder mit einer Goldenen Nica oder einem Ehrenpreis des Prix Ars Electronica ausgezeichnet. Der renommierte Medienkunstpreis geht 2013 in die 27te Runde, die Einreichung ist mit…