

Within the framework of the European Platform for Digital Humanism the Ars Electronica Festival 2023 will once again display works created in collaboration with partner organizations and realized with funding from the European Union.

Massive Binaries by Andy Gracie, winner of the Randa Art|Science residency, illustrates two different narratives of opposing spheres orbiting each other.

In the anniversary year of the University of Arts Linz, the Campus Exhibition once again invites visitors to reflect and admire many international contributions and original, contemporary as well as inspiring works.

To find out how POSTCITY as a venue affects the exhibition concept of Prix Ars Electronica and S+T+ARTS, read on.

In 2023, the Golden Nica in the Prix Ars Electronica category New Animation Art went to South Korean artist Ayoung Kim for her project “Delivery Dancer’s Sphere”.

In Isala scientists and citizens join forces to study the vaginal microbiome and create a database that challenges the social and medical bias surrounding the female body and intimate self-care.

In this guest article Juergen Hagler elaborates on the development of the animation category and talks about the theme of animation as an important part of the Ars Electronica Festival 2023.

This year’s Golden Nica in the category Artificial Intelligence & Life was awarded to Winnie Soon for their Unerasable Characters Series.

This year’s Digital Humanity Award winners are the grassroots organisation Masakhane, which specialises in bringing African languages closer to the technology industry.

“Pollinator Pathmaker” by Alexandra Daisy Ginsberg is this year’s winning project in the Artistic Exploration category of the STARTS Prize.

Suhun Lee has been selected as the first curator in residence for the Curatorial Residency Program enabled by ARKO. In this guest article, she describes her personal impressions of the Prix Ars Electronica Jury Weekend.

This year’s Golden Nica in the category “Digital Musics & Sound Art” goes to the collective Atractor + Semántica Productions, for their project A Tale of Two Seeds: Sound and Silence in Latin America’s Andean Plains.

In an interview with artist Dorotea Dolinšek, we discover the secrets of the microbiome and how our symbiotic relationship with microorganisms affects our well-being.

Digitization is not only changing our definition of truth, but also the question of what ownership means in today’s digital world.

Experts from around the world met in Linz to agree on the Golden Nicas of the Prix Ars Electronica 2023.

Ownership and truth in the age of artificial intelligence – the Ars Electronica Festival 2023 will explore this spectrum of topics and the questions they raise.

With “Horst Schlager,” the Ars Electronica Center infiltrates a media art figure into Facebook’s extremist underground in order to understand and communicate political grievances.

Mastodon as the perfect alternative to Twitter? Find out why we chose the platform and whether we agree here.

What do jackets made of orange peel, parasites for smart home devices and the monitoring of our oceans have in common? That’s right! They all characterize the enormous thematic scope of the S+T+ARTS Prize.

For the third round of the ArtScience Residency Rainald Schumacher met artist Špela Petrič, the winner of the 2023 edition, for an interview.

The European Union Prize for Citizen Science recognizes the achievements of Citizen Science initiatives in Europe, but what exactly is being sought and why is Citizen Science so important? Find out more here!

The year 2022 is coming to a close, and that means it’s time once again to look back on the Ars Electronica Themes 2022.

In the second part of our Year In Review, we turn our attention not only to art, but also to the exciting stories of the people behind it.

Citizen Science has many faces, Elias Silber is one of them: His commitment optimized the energy balance of Ars Electronica within a minimum of time.

We experiment, develop and tell stories with technology. The first part of Ars Electronica’s 2022 Year in Review shows how.