For the third round of the ArtScience Residency Rainald Schumacher met artist Špela Petrič, the winner of the 2023 edition, for an interview.
The European Union Prize for Citizen Science recognizes the achievements of Citizen Science initiatives in Europe, but what exactly is being sought and why is Citizen Science so important? Find out more here!
The year 2022 is coming to a close, and that means it’s time once again to look back on the Ars Electronica Themes 2022.
In the second part of our Year In Review, we turn our attention not only to art, but also to the exciting stories of the people behind it.
Citizen Science has many faces, Elias Silber is one of them: His commitment optimized the energy balance of Ars Electronica within a minimum of time.
We experiment, develop and tell stories with technology. The first part of Ars Electronica’s 2022 Year in Review shows how.
Ars Electronica as a platform for art, technology and society and collaborative projects sponsored by the European Union belong inseparably together. Why is that so? We’ll tell you here:
Migration and displacement pose some of the biggest humanitarian challenges of our time. The winner of this year’s ArtScience Residency enabled by Art Collection Deutsche Telekom, Irakli Sabekia, addressed the issues of spatial justice in his project the “Archive of Spatial Knowledge”.
The new exhibition about the Kepler Observatory at the Ars Electronica Center shows that amateur astronomers can still contribute to scientific achievements today.
This is by far only a small excerpt of the many impressions with which the 2022 Ars Electronica Festival in Linz thrilled us in five days.
In the residency program “STEAM Imaging IV”, Turkish artist Zeynep Abes is tracing the secrets of memory.
With “Songs for Amelia Earhart,” Laurie Anderson and Dennis Russell Davies, together with the Brno Filharmonic Orchestra and cellist Rubin Kodheli, pay tribute to the pioneer of the skies and tell of her last flight around the world.
From climate change to microbiology and artificial intelligence: the most experimental ideas from the Ars Electronica Futurelab will once again be presented at this year’s festival.
This year, Ars Electronica Garden Partners will not only be on display online, but will be invited to actively contribute their perspectives and projects to the Festival’s core program, which will take place in Linz.
The Ars Electronica Animation Festival 2022 once again features a wide selection of works ranging from animated shorts to interactive animated audio-visual environments.
What rights do you have in the location of your residence? In his work, artist Irakli Sabekia deals with the spatial and social memory of people who have been forcefully displaced.
How sustainably will you be able to eat at this year’s Ars Electronica Festival, and what happens to all the waste that’s created in the process? Martin Honzik CCO and Head of Festival/Prix/Exhibitions gives us an insight.
The exhibition took a closer look at the European particle physics laboratory CERN, covering its history, daily activities and the ambitious goals of the global research project.
“STUDIO(dys)TOPIA” explores how humankind can transform sustainable practices into action and serves as a metaphor for our present, in which the concepts of dystopias and utopias find themselves in a changed reality.
Latin American art meets media art: A new collaboration between CIFO and Ars Electronica aims to support the Latin American art scene and to bring a number of outstanding artists and projects closer to the international audience.
At the Ars Electronica Center’s VRLab, it was possible to immerse yourself in virtual worlds and superimpose data on our reality.
[:de]Throughout time and across cultures, humans have been conditioned to view death as an endpoint in the experience of life. In an increasingly globalized and digitalized world, have our traditions and behaviours towards death changed? What happens when data outlives the person?
In 2006, the Ars Electronica Futurelab collaborated with media artist Klaus Obermaier on a unique production of Igor Stravinsky’s Le Sacre du Printemps.
This year, the Golden Nica in the Digital Communities category goes to Ory Yoshifuji, Co-founder CEO, Ory Laboratory Inc. for his project Avatar Robot Cafe DAWN ver.β.
From September 2 to 11, 2010, the Ars Electronica Festival “REPAIR – Ready to pull the lifeline” took place on the grounds of the former tobacco factory in Linz