… or pink doves? The Ars Electronica Festival’s Kunstunicampus attempts to think the seemingly impossible, to vision the unthinkable. Above all, the aim is to enable images and metaphors that carry a creative power within them and inspire us to create our own picture of our world.
“STUDIO(dys)TOPIA” explores how humankind can transform sustainable practices into action and serves as a metaphor for our present, in which the concepts of dystopias and utopias find themselves in a changed reality.
How can a festival that attracts thousands of people to Linz every year be sustainable? Christl Baur, Head of Ars Electronica Festival, confronts the many questions of mobility.
This year, the Golden Nica in the Digital Communities category goes to Ory Yoshifuji, Co-founder CEO, Ory Laboratory Inc. for his project Avatar Robot Cafe DAWN ver.β.
“It takes a village to create something special” and Holly Herndon and her team have succeeded in doing just that. In the interview, she presents her machine learning project in more detail, for which she has now received the European Commission’s STARTS Prize 2022.
From September 2 to 11, 2010, the Ars Electronica Festival “REPAIR – Ready to pull the lifeline” took place on the grounds of the former tobacco factory in Linz
In this interview, Gerfried Stocker explains why it takes more than virtual meetings to get people talking and how the Ars Electronica Festival is trying to become sustainable and resource-conserving.
From the hopelessness of the climate crisis to the thinking space of art – in this conversation with Gerfried Stocker, we take a closer look at the theme of the 2022 Ars Electronica Festival.
The international jury met for a weekend at the Ars Electronica Center to decide on the two winning projects for the STARTS Prize 2022.
Once again, 20 experts from around the world met in Linz to agree on the Golden Nicas of the Prix Ars Electronica 2022
The interaction between the Atacama sky and clouds with the local audience in Linz: these Chilean artists will represent their home country at the Ars Electronica Festival 2022.
An oversized computer keyboard as a climbing wall on the facade of the Linz Art University. That was the teleclimbing garden.
During the Ars Electronica Festival in 1996, the indoor pool of the Parkbad Linz transformed into a fluid interactive 3D space.
Philip Glass, the most famous representative of minimal music and longtime companion of Ars Electronica, celebrates his 85th birthday – we congratulate him!
The Morphovision image processing system worked with real objects and opened up new possibilities for plastic design.
This is the question posed by participants in a new training program for cultural producers that provides insights into the way Ars Electronica works.
In 1980, electronic music pioneer Klaus Schulze opened the Ars Electronica Festival with a concert of live recorded sounds from the Linz steelworks voestalpine.
With his large-scale visualizations and animations, media artist Refik Anadol brings incomprehensible numbers and measurement data to life and returns them to the physical world.
Halsey Burgundy and Francesca Panetta discovered the prepared speech for U.S. President Nixon in the archives and recreated it in a deceptively realistic way.
On the occasion of the news about the passing of Linz09 artistic director Martin Heller, we travel back to the Capital of Culture year 2009 and take a look at the project “80+1 – A Journey around the World”.
The powerful tool “artificial intelligence” is increasingly finding its way into media art. Three artists talk about how they use AI and where they see their role as artists.
How can a global communication tool like the Internet help to mobilize even more people to act together against climate change?
The last day of the festival is underway, and it’s a busy one. Art Thinking Day once again shines the spotlight on the artists, especially the Prix Ars Electronica winners.
Anthropocene, data capitalism and big tech monopolies – only a few years back and the terms would have been either completely unknown or at least neglectable. Now, in the midst of the digital transformation, they are omnipresent and have given birth to the term “digital humanism”.
A foray through the online offerings of the Ars Electronica Festival 2021, which this time will take place as a dual event.
Climate justice, sustainable digitization, solidarity and care, low-carbon design and education – all important ingredients for a new approach to the challenges of our time.
Thursday is all about innovation – in a whole series of panels, talks and symposia, experts from art, science and business meet and think ahead. At the same time, the exhibitions will present works that illustrate innovation in the 21st century.