S+T+ARTS is more than an international and regional promotion platform for artists, connecting them with scientists, industry and technology partners.
Music and technology, artificial intelligence and musical instruments, discussion panels and workshops. One term unites all these elements in one: The AIxMusic Festival!
Can machines create? As a key researcher and artist on the subject of Creative Intelligence at the Ars Electronica Futurelab, he has been dealing with this question since many years. The algorithm is in his blood, Ali Nikrang is an expert in artificial intelligence and music.
She spent most of her childhood on merchant marine vessels and has developed an ever closer relationship with nature through her proximity to the sea. During her EMAP/EMARE residency, as a media artist, Kasia Molga tells how she came to her project “How to make an Ocean?”, how personal grief and COVID-19 gave her work…
The search for extraterrestrial intelligence may make some people think of a funny guy in a bicycle basket, for others it has serious scientific relevance and is closely interwoven with research on artificial intelligence. Thinking off the beaten track helps in this multidisciplinary work.
On the Thursday of the festival, the Home Delivery Conference will be dedicated to the cultural aspects of digital space, presenting projects such as the first Minecraft University, the Museum of the Future and a dedicated domain for the art world. This is just one of the numerous thematic focuses in our wide range of…
Human life in the uncertainty of the days: It seems impossible to understand the world in its complexity, as every action, no matter how inconspicuous, influences life on the other side of the world. The thing with the butterfly effect…
And our festival journey continues! Not too far away from Austria there are countless exciting exhibitions: in the city of love – Paris, the coastal city – Liepāja, the ancient metropolis – Athens, or the central heart of the EU – Brussels! Welcome to the gardens of Europe!
The festival takes place! Not despite, but because of Corona. For months a global pandemic has been raising questions that we hadn’t asked ourselves before – but which will most likely keep us busy for a long time to come.
Three members of the STARTS Prize 2020 jury, Mara Balestrini, Clara Blume and Domhnaill Hernon, talk in an interview about the influence of Covid-19 on this year’s jury process, the difference between design and art, recycling management and the usefulness of Excel lists.
It’s that time again! The submission for the STARTS Prize 2020 is open. Starting immediately, the European Commission, together with Ars Electronica, Bozar and Waag, is once again looking for pioneering projects at the interface of art, technology and science that contribute to economic and social innovation.
Ars Electronica Research Institute knowledge for humanity hub (k4h+) in collaboration with exploration space (at) ACDH (at) the Austrian Academy of Sciences, Social City Vienna and Knowledge City Vienna invited to participate in an experiment at the Vienna edition of the European Researchers Night 2019.
Artificial intelligence is one of the top topics of our time – it is not reserved for an intellectual elite, but reaches up to the regulars’ tables. Just as it will influence our living environment, everyone should feel compelled to have a say and participate in decisions. Best in Edinburgh and Linz!
How can new paths be taken? Where does the impetus to rethink things come from? How can the mind be guided not to think in the usual way? Who are those who come up with such great things that can actually be used in real life? Well… we might have some answers.
The European Commission’s STARTS Prize has been encouraging innovative and interdisciplinary project submissions since 2017. It is no coincidence that they are unusual and find a worthy presentation area at the festival.
Festival Friday is STARTS day – or rather S+T+ARTS, because the magic formula is Science + Technology + ARTS. Exactly in this connection lies a powerful potential for innovation, to consider the innovations of our time on various levels and to think socially, ecologically and economically.
It’s almost as if you were there: immersive media let us dive deep into images and videos – sometimes to the point where we completely forget the world around us. In order to transform this new kind of media from a niche phenomenon to a widespread practice, the Ars Electronica Futurelab and four partners from…
“The Practice of Art and Science” at the Ars Electronica Festival September 6-10, 2018 presents projects at the interface of these two disciplines. Find out more in this interview.
Bringing together scientists, school kids and an artist, transcending the boundaries of individual disciplines, discovering flexible forms of learning and collaboration, and imparting skills to work effectively with new technologies were the objectives of the artist-in-residence project entitled STEAM [science, technology, engineering, art, mathematics] Imaging. Bianka Hofmann, head of corporate communication at the Fraunhofer Institute…
The jury made up of international experts charged with selecting the recipients of the 2018 STARTS Prizes awarded by the European Commission recently convened for an entire weekend at the Ars Electronica Center. Their mission: to recognize outstanding work at the interface of science, technology and art. The outcome is still confidential; nevertheless, jurors Francesca…
WANTED: up-and-coming talents in media art! The European Media Art Platform awards several two-month residencies at 11 European institutions. In this interview, Peter Zorn of Werkleitz goes into detail about the network, and Ars Electronica’s Veronika Liebl recaps the European Digital Art and Science Network’s activities since its launch in 2015.
This year’s THE ARTS+ Creative Business Festival at the Frankfurt Book Fair provides the perfect showcase for men and women who’ve been honored for their extraordinary creativity, for their innovative projects at the nexus of science, technology and art, and for the European Commission’s STARTS initiative.
How can science, technology and art become more tightly intermeshed, and how do they benefit from these linkages? Outstanding best-practice examples and insightful speeches lead off the STARTS Talks series in Berlin and Eindhoven.
Taking advantage of this continent’s diversity—that’s what Ars Electronica has been doing in a broad spectrum of collaborative projects clear across Europe. In this interview, Festival Director Martin Honzik and Producer Veronika Liebl told us about them and what role they’ll play at the Ars Electronica Festival September 7-11, 2017.
Now that the 2017 STARTS Prizes have been selected, the European Commission’s STARTS initiative is launching another attractive program. Artists can now apply for a residency in which they create a new work of art using the technology of the R&D project of their choice. The entry deadline is May 22, 2017.
Collaboration among science, technology and art is urgently needed! Marleen Stikker and Lucas Evers of the Waag Society talk about these three fields’ commonalities and, shortly before the entry deadline, address a last-chance call to motivate artists, engineers and scientists to submit their transdisciplinary projects for 2017 STARTS Prize consideration.
In what ways do science, technology and art overlap? What is innovation? And which technological developments will be successful over the long run? Gerfried Stocker, artistic director of Ars Electronica, and Veronika Liebl, STARTS project manager, discussed these topics with us.