Two years late, TIME OUT is entering its next round. Students from the Linz Art University’s “Time-Based and Interactive Media Arts” program are showing selected works at the Ars Electronica Center.
Deep Space EVOLUTION marks the start of Ars Electronica’s next chapter when it comes to immersive visual worlds. But how did the story of the giant projection room in the Ars Electronica Center begin?
With the CAVE, the Ars Electronica Futurelab laid the foundation for this experiential environment in the 1990s. “Deep Space EVOLUTION” is Ars Electronica’s next chapter when it comes to immersive visual worlds.
An oversized computer keyboard as a climbing wall on the facade of the Linz Art University. That was the teleclimbing garden.
During the Ars Electronica Festival in 1996, the indoor pool of the Parkbad Linz transformed into a fluid interactive 3D space.
The exhibition Mirages & miracles at the Ars Electronica Center staged augmented reality in a virtuoso and imaginative way.
MIT-Medialab’s inFORM application addressed the question of how to get the digital back into the physical world.
GeoPulse opened up an interactive experience space for visitors of the Ars Electronica Center that compiled multi-layered data about our world and made it possible to experience it in a playful way.
This year, the STARTS Prize will once again honor innovative projects at the intersection of art, technology and science that have the potential to contribute to economic and social innovation.
In 2004, the Ars Electronica Futurelab designed an interactive computer-controlled visualization for the opera “Das Rheingold” by Richard Wagner.
In a glass pyramid, 30 meters above the Danube, Isao Tomita enchanted the visitors of the Klangwolke 1984.
Philip Glass, the most famous representative of minimal music and longtime companion of Ars Electronica, celebrates his 85th birthday – we congratulate him!
Spaxels are autonomous drones that can be moved freely in space to form dynamic, three-dimensional figures in the night sky.
The Morphovision image processing system worked with real objects and opened up new possibilities for plastic design.
Advent, Advent the last little light is burning! December 2021 with the highlights of Ars Electronica.
We took off, crisscrossed the universe, into the future and to Dubai to still make the best of 2021!
While the days are getting shorter and the leaves are getting more colorful in Austria, Ars Electronica will be hosting the Austria Pavilion at EXPO 2020 in the desert of Dubai.
Paro, an assistant robot with the appearance of a seal, was a visitor magnet at the Ars Electronica Center for years.
September – for Ars Electronica, that means not only the end of summer and the return to the nation’s schools, but also, first and foremost, it marks the biggest event of the year in the program.
August is also all about the upcoming Ars Electronica Festival, with numerous announcements to heighten anticipation for the upcoming event.
In July, not only will ancient cultures be rediscovered, but preparations for the Ars Electronica Festival “A New Digital Deal” are already in full swing.
June visibly brings normality to life… at least it is possible to use museums, theaters and night gastronomy again. And so we think big right away and fly into space!
Gulliver’s World, the further development of Gulliver’s Box, was a multi-user mixed reality system developed by the Ars Electronica Futurelab.
Although the month of May is still in the grip of the lockdown, sunshine, vaccines and the prospect of opening soon are visibly awakening the spirits of life. Ars Electronica delivers a wide-ranging program to the door.
It’s not just the weather that’s moody in April, but also the epidemic of infections. For Ars Electronica, that means a closed museum and home office, with a colorful virtual program at the same time.
With “Ars Electronica Home Delivery Services,” we’ve taken another step forward in expanding our range of online workshops. Here’s what else happened.
In Gulliver’s Box, the process of creative design, display and perception were brought together in a single environment.
It is not only the ongoing pandemic that is forcing us to think about how we want to shape our lives – it is also the legacy of Hannes Leopoldseder that he left with us.