Ryuichi Sakamoto died March 28 at the age of 71. The Japanese pianist, composer and pioneer of electronic music was the winner of the Prix Ars Electronica in 1997.
“It takes a village to create something special” and Holly Herndon and her team have succeeded in doing just that. In the interview, she presents her machine learning project in more detail, for which she has now received the European Commission’s STARTS Prize 2022.
The interaction between the Atacama sky and clouds with the local audience in Linz: these Chilean artists will represent their home country at the Ars Electronica Festival 2022.
This is the question posed by participants in a new training program for cultural producers that provides insights into the way Ars Electronica works.
Just recently, Joe Davis and Sarah Khan stored 2,417 quintillion angels on the head of a pin. Reason enough to talk to the BioArt pioneer about the connection between art and science.
720 tons of food are thrown away in a single day in Catalonia. It is figures like these that have prompted Anastasia Pistofidou, Marion Real and The Remixers of Fab Lab Barcelona, IaaC, to take action.
The world’s oceans not only reflect light, they also reflect the effects of the Anthropocene, the age of humankind.
Imagine giving up everything: Your bed, your kitchen, your bathroom, your apartment. From now on you live, eat and sleep in public space. Rebecca Merlic has been awarded the Marianne.von.Willemer.2020 Prize for Digital Media for the artistic realization of this experiment.
Kalina Bertin, filmmaker and director of ManicVR, invites us to join her on a journey into the “inner worlds” of her siblings who are diagnosed with bipolar disorder. In 2019, she was awarded the Golden Nica in the Computer Animation category for her work.
The Prix Ars Electronica 2019 Golden Nica in the category “Digital Musics & Sound Art” is staying in the country: for the first time, an Austrian has won the prize as a solo entrant. The Austrian composer and producer Peter Kutin studied at the University of Music and Performing Arts, Vienna, and has written and…
With “Project Alias,” Bjørn Karmann and Tore Knudsen of Denmark demonstrated a simple yet effective way to take back control over our own private sphere, which earned them the STARTS Prize of the European Commission. We talked with both of them about privacy, parasitic fungi, and the appropriate narratives.
This year, designer and biohacker Giulia Tomasello won the STARTS Prize in the category “Artistic Exploration” for her Do-It-Yourself harvesting set for bacteria at home, “Future Flora”. Before the artist comes to the Ars Electronica Festival (September 6 – 10, 2018) to present her work, she has already told us more about it in this…
The coveted Golden Nica of the Prix Ars Electronica in the category of computer animation goes to “TROPICS” by Mathilde Lavenne this year. At the Ars Electronica Festival from September 6 to 10, 2018, the artist will present her award-winning work – read more in the interview.
Every click and every post on the Internet generates data. The Digital Economy is making billions with our actions on the web and concentrating these profits in the hands of a few. A completely unsatisfactory situation, say LarbitsSisters and initiated the BitSoil Popup Tax & Hack Campaign.
On the online platform Bellingcat, citizen journalists are looking for the “echoes and ripples” in the digital environment when events like the MH17 incident or war crimes like those in Syria become known. The founder of Bellingcat, Eliot Higgins, talks in an interview about the project, which was recently awarded the Golden Nica, and gives…
Her idea for a way to make music live on beyond humankind’s eventual extinction and to use DNA as the medium to transport this information for eternity garnered Japanese musician Etsuko Yakushimaru the 2017 STARTS Prize. In this interview, she explains her concept of “post-humanity music” and gives her take on mutations that randomly occur…
“K-9_topology,” a series of works by Slovenian artist Maja Smrekar, won last year’s Golden Nica in the Prix Ars Electronica’s Hybrid Arts category. In this interview, Maja Smrekar explains what’s behind these four projects, how dogs and wolves characterize her work, and which ethical questions she investigates.
This year’s Golden Nica in the Computer Animation/Film/VFX category goes to David OReilly for “Everything,” his game that literally lets you play with everything—from the tiniest atom to the biggest galaxy. In this interview, the artist and game developer tells more about his work.
The idea seems so simple—Rock Print, a STARTS Prize honoree, demonstrates how to build a large structure out of only gravel and wire. But behind the seeming simplicity is the difficulty of implementing the concept in real life. In this interview, Matthias Kohler and Fabio Gramazio of ETH–Swiss Federal Institute of Technology in Zürich tell…
A project entitled “Not Your World Music: Noise in South East Asia” by artists Dimitri della Faille and Cedrik Fermont is one of the very few works about noise & sound art in Southeast Asia. In this interview, the 2017 Golden Nica winners talk about how they got involved in such a huge endeavor and…
Dealing with complex issues calls for marshalling insights and skills from numerous fields, cultures and perspectives. Excellence in accomplishing this is precisely what the European Commission aims to honor with the STARTS Prize. Here, we present 2017’s best projects and what the jury’s statement has to say about them. Many will be featured in a…
Congratulations to the winners of the 2017 Golden Nicas! 3,677 entries were submitted from 106 countries for 2017 Prix Ars Electronica prize consideration. We would like to introduce you to the award-winning works now.
This year’s STARTS PRIZE recipients come from Japan and Switzerland. “I’m Humanity” garnered the Grand Prize for Artistic Exploration for Etsuko Yakushimaru; the Grand Prize for Innovative Collaboration goes to Gramazio Kohler Research at ETH–Swiss Federal Institute of Technology in Zurich and the Self-Assembly Lab at MIT for their “Rock Print” installation.