What if we embrace uncertainty?
Christopher Lindinger (AT)
Unknown, diverse and blurred, it lies before us, our future. Even if many attempts, in foreseeing developments and interpreting their effects, appear to come slightly closer to it, the future still remains a great unknown, concealing an opaque mesh of possible ramifications and options. The climate catastrophe, the war in Ukraine, or the (seemingly) never-ending Corona pandemic: all these amplified by the media, can feed a demoralizing, fearful, or despondent view of the new times. Yet we must not ignore one crucial unknown in the equation for measuring our future: ourselves. After all, we are the X that makes any prediction, however precise, merely an approximation, a probability. Our attitude towards what is to come, our decisions and actions have an impact on where we are heading in the future, which developments are pushed or prevented, whether the equation works out in the end or not.
As a university, it is in our DNA not to shy away from the unknown, but boldly and courageously engage with it and to penetrate its depths. The complexity of the current challenges calls for a creative combination of different perspectives and approaches. Connections must be made between scientific disciplines, between science and art, and between society. A transdisciplinary methodology in research and teaching must be the credo of a modern university. Only together can effective changes be initiated and implemented. For this reason, it is natural for us to forge partnerships, find partners, and build a strong network.
A vibrant collaboration between JKU and Ars Electronica was established three years ago. The close cooperation is based on the common goal of interweaving art and science more closely in the long term, working toward an open transfer of knowledge with society and promoting a concept of technology that puts people at the center. The projects of the Institute of Technology (LIT) and Ars Electronica interweave science, art and society in an impressive way, forming the visible level of a common, creative striving for innovation. The Festival University, which is taking place for the second time, the Campus as a festival location and theme-specific art and science residencies all pursue the same goal.
Another strong line of connection leads further East, to the University of Applied Arts Vienna and the former Wiener Postsparkasse, where shared space has been rented. The manifesto “Innovation through Universitas,” written in 2019, defines the substance of the cooperation. Words have since been followed by actions and a variety of joint projects. In the winter semester of 2023, a joint bachelor’s degree program will start, focusing on transformation processes and seeking answers as well as approaches in both the sciences and the arts. A prototype for this is the course “What if … Shaping our future,” which took place in the summer semester of 2022 in Linz, Vienna and at the International Academy Traunkirchen. 25 students from both universities from 19 different fields of study were invited to participate in the course, with the goal of developing speculative future scenarios and prototypes based on scientific facts. Through curiosity and a desire to engage in the creative process, five remarkable interdisciplinary group works emerged in a very short time, addressing topics as diverse as artificial intelligence, empathy and human communication, nutrition and sustainability, and educational equity. Alternative solutions were then formulated.
At the European level, we are delighted to be the Johannes Kepler University lead partner in the winning consortium for the new and ninth Knowledge and Innovation Community (KIC) on the topic of culture and creativity. Together with more than 50 institutions and partners from science, society, industry and business — including Frauenhofer, Goethe-Institut, City of Amsterdam or Industry Commons Foundation — effective changes for a sustainable and habitable Europe can be brought about on the continental level. Austria has a strong voice in the consortium with JKU, Kreativwirtschaft Austria, Ars Electronica and the University of Applied Arts. As JKU, our focus is clearly on higher education, innovation and research. Together with the European network, our goal is to promote the interweaving of different disciplines and sectors, shifting the bridge to society and art to the center of future higher education.
A mapping study was conducted a year ago aimed at identifying European universities, research and cultural institutions dedicated to this interweaving of art and science. In order to reinforce the topic as a whole and to do justice to the dynamics of constant change, and to raise the institutions’ visibility and promote networking among them, the research was transferred to the digital platform artsciencemap.org. The result is an exemplary atlas that reflects the diversity of European art and science impulses, in which agglomerations connections are depicted.
In collaboration with art, science and society and together with a multitude of fellow campaigners, our wish is to continue to venture optimistically and full of curiosity beyond the confines of own discipline. In this spirit, we look toward the unknown, toward new times, ceaselessly building on the foundation of a livable and sustainable future.
Ars for Nons
Lea Luka Sikau (DE), Denisa Pubalova (CZ), Michael Artner (AT), Julia Wurm (AT)
Why create art for somebody other than a human? Ars for Nons creates a space for nonhumans, “Nons”, to immerse in “Ars”, an interactive art piece. For decades, the Ars Electronica Festival has nurtured the creation of art for society with technology. The installation “Ars for Nons” deconstructs this equation: it creates art for technology, which essentially is a part of society already. Art is not made by nonhuman technology for humans, but with technology for nonhumans.
Black Holes of Popularity
A.B.Melchiorre (IT), O.Lesota (RU), M.Schedl (AT), F.Schubert (AT), M.Moscati (IT), D.Penz (AT), E. Dobetsberger (AT), J.Usorac (BA), A.Hausberger (AT), S.Pile (RU), A.Ebner (AT)
The universe of music is dominated by a small number of popular tracks. Being broadcast, recommended, shared, and talked about, they overshadow the many pieces of lesser-known, niche, and new music, effectively devouring them. Visitors to the Black Holes of Popularity exhibit will travel to the very heart of the music universe and get a chance to help obscure compositions of their choice come to light and withstand black holes of popularity.
Lisa Caligagan (AT), Paracetamol Collective (AT)
The interactive installation, BODIE:S, addresses the underrepresentation of different body shapes and identities. An algorithm generates unique pictograms from simple basic geometric shapes, which are displayed on a tripartite screen and printed on sticker paper. The installation is wrapped in ceramic tiles that display and allow visitors to experience individual pictograms. BODIE:S thus encourages visitors to participate actively in determining the labeling of public spaces.
Coexistence with the SARS-CoV-2 virus
Yoojin Oh (AT/KR), Sabina Hyoju Ahn (US/DE/KR), Myungin Lee (US/KR)
This project aims to transform the nano-scale of a striking biological phenomenon, the relationship between the spike protein of coronavirus and human cellular protein, into an interactive audiovisual simulation. In this work, the interaction data are measured by Atomic Force Microscopy, which can touch and image a single molecule. We are creating an interactive audiovisual installation and performance based on the interaction data so that the audience can control the biomolecules’ behaviors.
I Hear Future Voices
Nives Meloni (CH), Julian Pixel Schmiederer (AT)
I Hear Future Voices — An artistic reflection on AI-based voice assistant interactions. I Hear Future Voices is here to question the power and influence of AI-based voice assistant systems on human life, both in the present and the near future. Backed by scientific research in the field, the installation proposes an artistic insight into the everyday use of voice assistants. The three constitutive parts of this visual project catapult viewers into disparate realities between utopia and dystopia.
Melody of Crisis/Joy
Gregor Pechmann (AT), Floria Rothkegel (AT), Markus Schedl (AT), Alexander Wallner (AT), Emilia Parada-Cabaleiro (ES), Vasco Fragoso (PT)
Melody of Crisis/Joy is an interdisciplinary project aiming to benefit from Artificial Intelligence within an artistic setting. In order to promote awareness of how globally occurring crisis events are communicated online, emotions conveyed by spoken statements are identified through sentiment analysis and speech emotion recognition, then sonified into musical melodies.
Martin Reiter (AT), Jörg Fischer (AT), Johannes Braumann (AT), Florian Nimmervoll (AT)
Plastic products and packaging are usually seen in our minds as future waste, and by implication plastic products usually represent the epitome of a linear economy. This installation aims to take a critical look at the way we deal with plastics and show that what we consider waste can be the beginning of a new cycle. Visitors can interactively experience a closed loop from the processing of waste to the production of new products utilizing injection molding and robotic 3D printing.
Santa Pile (AT), Martin Gasser (AT), Christina Humer (AT), Silvan David Peter (AT), Andreas Ney (AT), Verena Ney (AT)
The Spin Wave Voices installation allows us to explore, sense, and interact with this emerging technology, as the Spin Waves are one of the options to replace the transfer of electronic charges in logic devices to make information processing faster and more efficient. With a simple pedal activation, it is possible to start an excitation of Spin Waves in one of various microstructures of different shapes, to see and to hear Spin Wave Voices as they appear, evolve, and differ depending on the shape.
Transforming Sound and Material
Mark Hlawitschka (DE), Moritz Simon Geist (DE)
TRANSFORMING SOUND AND MATERIAL picks up the changes in chemical process industry towards renewable resources. Flexible operation requires new digital methods to analyze the process as well as adaptive internals to cope with the flexible boundary conditions. In this installation, this framework is transformed into an artistic installation. Mesmerizing soundscape, interactive music transformation and self-adapting structures await the visitors on Planet B.