For her proposal to send a robot with artistic skills into outer space, robotics engineer Sarah Petkus was the recipient of an Honorary Mention from the 2016 art&science@ESA. In this interview, she talks about her plans for her upcoming residency at the European Space Agency (ESA) and the Ars Electronica Futurelab, about humane robots, and…
The 7th installment in the TIME OUT exhibition series opened on Tuesday, May 23, 2017. In cooperation with Linz Art University, the Ars Electronica Center is showcasing recent media art projects by students in the school’s Time-based and Interactive Media program. The Blog is spotlighting the participating students. In this installment, Lisa Bickel and Clemens…
The 7th installment in the TIME OUT exhibition series opens on Tuesday, May 23, 2017 at 6:30 PM. In cooperation with Linz Art University, the Ars Electronica Center is showcasing recent media art projects by students in the school’s Time-based and Interactive Media program. Sarah Hiebl and Marlene Reischl, two of the artists participating in…
The STARTS Prize awarded by the European Commission spotlights collaboration of science, technology and art. That’s the same approach taken by Sophie Lampartner, director of swissnex San Francisco and one of this year’s STARTS jurors. In this interview, she talks about trends at the nexus of these three domains.
“GET INSPIRED – Promising Projects at the Nexus of Art, Technology and Science” was the theme of a showcase of innovative projects based in Linz and Upper Austria staged yesterday by Ars Electronica in cooperation with a regional association of young businesspeople. Join us for a look back at an inspiring evening.
This year’s STARTS PRIZE recipients come from Japan and Switzerland. “I’m Humanity” garnered the Grand Prize for Artistic Exploration for Etsuko Yakushimaru; the Grand Prize for Innovative Collaboration goes to Gramazio Kohler Research at ETH–Swiss Federal Institute of Technology in Zurich and the Self-Assembly Lab at MIT for their “Rock Print” installation.
Yen Tzu Chang (TW) is the recipient of the residency STEAM imaging jointly hosted by the Fraunhofer Institute for Medical Image Computing (MEVIS) and Ars Electronica. The Taiwanese media artist will thus have a unique opportunity to work closely together with the Institute’s research staff.
Mainstays of media art in general and the Prix Ars Electronica’s Hybrid Art category in particular are hybrid and transdisciplinary projects and approaches. In this interview, juror Ghalia Elsrakbi talks about her take on hybrid art and what she sees as the role art can play in 2017.
Even in the 21st century, robotics R&D is still a male domain. On the occasion of International Women’s Day, we discussed this issue with Martina Mara of the Ars Electronica Futurelab. She’s a media psychologist and director of robo-psychology.
Réka Bucsi’s animated short film “Symphony no. 42” got her shortlisted at the 87th Academy Awards. In April, she’ll be one of the 2017 Prix Ars Electronica jurors selecting this year’s Golden Nica recipients.
Ars Electronica launched an online database especially for women in media arts in September 2016. Women in Media Arts now makes it possible for users themselves to input information and modify the database’s entries about female artists. Here, project manager Florina Costamoling provides a brief introduction to the database designed to be used by, among…
In this interview, the artistic director of the Centre for Fine Arts (BOZAR) discusses the artist’s role in this day and age, notes that art also emerges beyond the confines of picture frames, and points out how important it is for disciplines to interconnect.
Entries to the competition to determine the honorees of the 30th Prix Ars Electronica are now being accepted! Four Golden Nica statuettes and prizemoney of up to €10,000 in each category await this year’s outstanding media artists. But what’s the story with gender distribution among Prix Ars Electronica prizewinners? We discussed this issue with Gerfried…
Born in Linz in 1894, Klemens Brosch went on to become one of 20th-century Austria’s most outstanding graphic artists, best known for his magical landscapes and melancholy imagery. Deep Space is now featuring jumbo-format projections of some of his small-scale drawings.
The exhibition space at Ars Electronica Center is full of challenging art. It recently served as a place, some of Japan’s most renowned companies gathered ideas from.
Even if signals aren’t being received from the Schiaparelli Test Lander on that evening, we nevertheless had an absolutely fascinating time at the ESA Mission Control Centre in Darmstadt, where we followed the decisive moments of the Mars landing in the company of scientists and artist Aoife Van Linden Tol. Here, we present a few…
Since its inception at the Ars Electronica Festival in 2014, The Future Innovators Summit (FIS) has grown and developed into a reputable frame and a new model for creative discussions about the future. This year is the culmination of 3 year’s experience and collaborative partnerships which has led to an expanded format and a significant…
Aoife van Linden Tol takes printed objects that are endowed with emotions and gives them a new start. In her performance “Second Story,” she blows up old photos, passports, love letters, etc. in controlled explosions. Here, she tells us how her first test detonation went, what we can expect in her September performance, and how…
China’s history is awesome, full of tales and traditions passed down from time immemorial. How do students at Tsinghua University deal with this monumental cultural heritage when they approach it in terms of media art? In this interview, Prof. Wang of the Academy of Arts and Design tells us about his college. We also get…
The theme of the 2016 Ars Electronica Festival is RADICAL ATOMS – and the alchemists of our time. But who are these people, actually? In the theme exhibition, you’ll find out all about the artists, scientists, activists and entrepreneurs whose unorthodox approaches and inspiring projects are bound to make an impact on our future. In…
Violent explosions are sources of particular fascination to artist Aoife Van Linden Tol. An art&science residency is giving her the opportunity to visit the European Space Agency (ESA) and Ars Electronica Futurelab to soak up a healthy dose of inspiration for her next project. In this interview, she talks about, among other things, the fact…