Spaxels are autonomous drones that can be moved freely in space to form dynamic, three-dimensional figures in the night sky.
City Puzzle by the Ars Electronica Futurelab was an interactive simulation environment that let you create virtual urban landscapes.
In 1990 the time was ripe to take the next evolutionary step in the development of Prix Ars Electronica by adding a new category for “Interactive Art”.
The Morphovision image processing system worked with real objects and opened up new possibilities for plastic design.
Paro, an assistant robot with the appearance of a seal, was a visitor magnet at the Ars Electronica Center for years.
Gulliver’s World, the further development of Gulliver’s Box, was a multi-user mixed reality system developed by the Ars Electronica Futurelab.
In Gulliver’s Box, the process of creative design, display and perception were brought together in a single environment.
On the occasion of its 25th anniversary in 2004, the time seemed ripe for Ars Electronica to finally go global.
The new Ars Electronica Center in 2009 had not only gained more exhibition space and urban visibility, but had also used the opportunity to completely reinvent itself.
In 1980, electronic music pioneer Klaus Schulze opened the Ars Electronica Festival with a concert of live recorded sounds from the Linz steelworks voestalpine.
Howering just a few meters above the lobby of the Ars Electronica Center, an installation called Humphrey promised a very special kind of experience which was connceted to a deeply human desire.
On the occasion of the news about the passing of Linz09 artistic director Martin Heller, we travel back to the Capital of Culture year 2009 and take a look at the project “80+1 – A Journey around the World”.
33 years after the very first Linzer Klangwolke in 1979, which marked the beginning of the Ars Electronica Festival, Ars Electronica got the chance to create the 2012 Klangwolke.
In 2009 and 2010, the Ars Electronica Center had special visitors of a somewhat different kind.
After a year of Corona-related delays, Expo 2020 officially opened in Dubai on October 1. We have some insights for you.
In 2007, during the Ars Electronica Festival, Marienstaße in Linz became a transition zone into virtuality for one week.
What does a Greek goddess of victory have in common with the Prix Ars Electronica? More than you might think!
2020 marked the 10th anniversary of the CanSat competition. With a Corona-related delay, this year’s celebration is underway – and the next competition is already ready to start.
In 2006, the Ars Electronica Festival moved for the first time to the baroque St. Florian Monastery of the Canons Regular of St. Augustine.
In 1998 a new category was introduced at the Prix Ars Electronica – “Cybergeneration U19”.
While the new Ars Electronica Center was built on the northern bank of the Danube, the museum made a guest appearance in downtown Linz until the end of 2008.
With the Ars Electronica Festival 2021 at Johannes Kepler University being around the corner, let’s take a look back at the location that re-invented the Festival as a platform – the POSTCITY.
1996 was a major turning point for Ars Electronica as an institution. For around four years a background process had been underway to fundamentally change Ars Electronica: the creation of the Ars Electronica Center.
On September 18, 1979, the very first Ars Electronica Festival saw the light of day and laid the foundation for the Ars Electronica success story.
In 1996, the CAVE, a room in which you can fly through the air, was created in the recently opened Ars Electronica Center.
In 1987, the Prix Ars Electronica was announced for the first time.
On the occasion of the Capital of Culture Year 2009, the Ars Electronica Center was remodeled and expanded.