Events, Concerts, Performances

If you want to experience the Ars Electronica Festival together and in good company, you’ve come to the right place for the extraordinary concerts and performances. The spectrum of our events from September 7 to 11, 2022, ranges from a series of Futurelab Night performances in the Ars Electronica Center to concerts with Laurie Anderson and Maki Namekawa in the KEPLER’S GARDENS.

Laurie Anderson in Concert — Songs for Amelia Earhart

Laurie Anderson (US), Filharmonie Brno (CZ), Dennis Russell Davies (US/AT), Rubin Kodheli (US)

At this year’s festival Laurie Anderson is to be awarded the Golden Nica for Visionary Pioneers, a wonderful opportunity to present one of her latest musical works. This is a composition for orchestra, voice, electronics, violin and cello, performed by the Filharmonie Brno, conducted by Dennis Russell Davies with Laurie Anderson and Rubin Kodheli, who plays the solo cello.

Pianographique

Maki Namekawa (JP), Cori O’Lan (AT)

After last year’s program with piano music from Ligeti and Chick Corea, Maki Namekawa once again takes us on her explorations of the music of our time, presenting a rediscovery and a newly commissioned composition.

Music for Chamber Gardens – Chamber Music Paths through Kepler’s Gardens

The Bruckner Orchestra (AT) / Norbert Trawöger (AT)

Individual ensembles and soloists of the Bruckner Orchestra, together with Norbert Trawöger, their artistic director, have put together a three-hour program that transforms the Kepler’s Garden into the “Chamber Gardens of Music.”

4D box / SH4D0W — An AI Performance in 3D

Mikael Fock (DK), Carl Emil Carlsen (DK), Emilie Rasmussen (DK), Cecilie Waagner Falkenstrøm (DK) Yann Coppier (DK), Vertigo (DK)

SH4D0W is the first performing arts production starring an artificial intelligence creation as the protagonist. The play is performed in the 4D Box, a theatre stage capable of creating mixed-reality illusions of virtual 3D objects interacting with live performers.

Deep Space 8K

Ars Electronica Center

The immersive projection room Deep Space 8K in the Ars Electronica Center, recently equipped with new laser projectors and the most powerful graphics cards, will set the stage for a dense programme every half hour during the five days of the festival.

The 4th VH AWARD

VH AWARD

The VH AWARD aims to support Asian media artists from diverse backgrounds whose works creatively portray a vast array of issues. The 4th VH AWARD finalists’ works engage with technology in new ways and forge new connections, addressing subjects that range from the relationship between humans and artificial intelligence to the pressing social and ecological issues of our time.

Ars Electronica Futurelab: Night Performances

To bring the Futurelab Day on Thursday to a fitting close, in the evening the Ars Electronica Futurelab invites everyone to join the Night Performances: Visitors can enjoy a wide range of experiences — from the lab’s latest work to fascinating art performances, including world-class piano and dance with stunning visuals in the unique setting of Deep Space 8K, a giant immersive environment developed by the Ars Electronica Futurelab.

!brute_force – Soft Resilience

Maja Smrekar (SI), Jonas Jørgensen (DK)

Living beings leak out of their skin into biomorphic technology, forming an emergent posthuman landscape of bodies without organs beyond deterministic restrictions of the Cartesian grid.

un ctrl

Daniel Kohlmeigner (AT), Martin Retschitzegger (AT), Cat Jimenez (AT) 

un ctrl is an intertwining performance between a musician, a dancer and a visual artist.

Ars Electronica ANIMATION FESTIVAL 2022

After two very challenging years, the Ars Electronica Animation Festival returns to its physical space. The screening programs and presentations will be shown at the JKU Campus and the Ars Electronica Center Deep Space 8K. The Expanded Animation Symposium and the Synaesthetic Syntax conference, organized with the UCA since 2020, will take place at the Ars Electronica Center.

XR Tumor Evolution Project

B. Lawrence (NZ), T. Robb (NZ), B. Woodhouse (NZ), D. Hurley (NZ), M. Davis (NZ), U. Rieger (NZ), Y. Liu (NZ), R. McColl (NZ), S. Masoud-Ansari (NZ), J. Reeve (NZ), Charlotta Windahl (SE/NZ)

The XR Tumor Evolution Project (XRTEP) applies extended reality technology to a real-world cancer research problem. It is enabled by a rare inter-disciplinary collaboration between the School of Architecture and Planning, the Faculty of Medical and Health Sciences, and Centre for EResearch at the University of Auckland.

Award Ceremony u19 – create your world & Klasse! Lernen.

This Award Ceremony brings together all the winners of this year’s Prix Ars Electronica “u19-create your world” category. Not only will the young winners’ projects be presented and they will receive their prizes, but they’ll also have the opportunity to share their own enthusiasm in short interviews.

Maihime

Shota Yamauchi (JP)

By personifying technology as a gorilla wearing a human’s skin, and by synchronizing it with the movements of the performer who faces it, this work aims to open up a new perspective on the relationship between people and technology. It asks just what it is that exists before our eyes or beside us, in an age where technology is a medium for many forms of communication.

The Shape of Things to Come

MencheLAB (AT), powered by Max Perutz Labs (AT), a joint venture of the University of Vienna (AT) and the Medical University of Vienna (AT)

All projects paint futuristic scenarios in individual contexts. We all shape the future. Each project will picture a dystopian or utopian scenario of how the specific expertise of the project creator can shape our environment.

DANU

Smirna Kulenovic (BA), Damian Cortes-Alberti (AR), Julia Moser (AT), Alejandra Benet Garcia (ES), Laura Gagliardi (IT), Lucia Mauri (IT), Ariathney Coyne (EL/US), Alessia Rizzi (IT), Lina Pulido Barragan (CO), Sara Koniarek (AT), Maria Dierneder (AT), Felix Chang (AT), Daphne Xanthopoulou (EL)

We are all Bodies of Water: Re-enchanting the Vulva, re-spiriting the Danube, inviting the magic back into our oceanic beginnings. Entangled between our menstrual blood and primeval waters of Dānu, we embody our ancestral river myths through our common microbes, dancing. Leaking, sponging, and dissolving our human watery bodies, we invite the audience into a ritualistic gaze of interacting dependency — a mystical relationship with our larger, ecological, Bodies of Water.

Inescapable Entanglement Performance

Clara Francesca (AU/IT), Anne Wichmann (She’s Excited!) (DE), Letizia Artioli (IT), Luca Cacini (IT)

Inescapable Entanglement is a posthumous narration of the emotional reaction to the climate change crisis. We ask “How can technology serve us?” while acknowledging that “Solastalgia” (distress caused by environmental change) is on the rise in societies. At the intersection of performance (Chekhov’s play Uncle Vanya), AR (live climate change metrics), soundscapes and biometric data visualization of physiological responses, we invite audiences to discover possibilities of living on an intrinsically entangled planet.

Sounding Lifeworld

Aalto University School of Arts, Design and Architecture (FI)

Sounding Lifeworld explores what is possible when artificial intelligence method with deep learning model applied to a musical instrument and communicates with the musicians within a flow that is tailored to the variance and diversities of the new sounding lifeworld. It is as if Özcan and Tahiroğlu is thrown into the space of musical universe with continuously transforming cluster of sounds, facing with the challenge of forming a new transitional relationship between each other and the AI-terity.

PLASTICPHONIA – Music out of Plastic Trash

Crystn Hunt Akron (AT) , Christopher Noelle (DE)

By moving the material, sounds are generated from plastic parts such as brushes, bags, bin, bottles, tubes, cups, etc. The trash acts as an instrument and this PLASTIC WASTE becomes MUSIC.  The concert is supported by a visualization by Berlin’s artist Christopher Noelle also known as TOFA.

Fortune of Planet B

Silke Grabinger (AT)

At the Ars Electronica Festival, Silke Grabinger — this time equipped with VR goggles, controller and fortune features — deals with the questions of today´s society in the performative installation Fortune of Planet B, symbolizes the epitome of the oracle, who predicts fateful future scenarios and appears as a future-telling figure.

Miragique

Kaoru Tashiro (JP), Razieh Kooshki (IR), Vahid Ghaderi (IR)

A performance of Real time 3D visual with Piano playing the compositions by Kenji Sakai (JP), Julia Purgina (AT), Claude Ledoux (BE), J.P. Deleuze(BE)

This Land Is Not Mine | Album

Kat Austen (DE/UK)

The Album “This Land is Not Mine” is presented as a 45 minute solo performance by artist Kat Austen.

Pre-Opening Walk

For those who can’t wait or are already in Linz on the eve of the festival, we will walk through the exhibition venues in Linz city centre – from the St. Mary’s Cathedral, to the LENTOS Kunstmuseum, the Linz Art University and the Salzamt to the Ars Electronica Center.

LULLABY FOR MARIUPOL by Opera Aperta

On February 24, Russia invaded Ukraine. Mariupol, which since 2014 has been a symbol of Ukrainian resistance, has become a brutal example of tragedy and humanitarian catastrophe. On February 22, back then in peaceful Kyiv, Ukrainian composers Roman Grygoriv and Illia Razumeiko composed a piece for microtonal bandura, called “Mariupol”. A new version of “Lullaby for Mariupol”, created especially for the Circus of Knowledge and the ars electronica festival 2022 will include rare footage of Mariupol mosaics from 6th and 7th centuries, now mostly destroyed by Russian forces during the siege of the city in March 2022. The performance is dedicated to all victims of Russian aggression.

LightSense

Uwe Rieger (DE/NZ), Yinan Liu (NZ), Tharindu Kaluarachchi (LK), Amit Barde (IN)

LightSense combines kinetic construction with 3D holographic animations. An integrated neural network allows the structure to engage in an oral conversation with the visitor while immersing the audience in Pavilions of Love, Anger, Curiosity and Joy.

Cooperative Aesthetics Performance

Botond Kelemen (HU), Bálint Budai (HU), Daniel Haas (artistname STURMHERTA) (AT )

Mold yourself! Fungi have existed for billions of years, setting the stage for humanity by supporting, carrying and converting life. – Schwarzes Rauschen (Black Noise) The project is an immersive, interactive installation, consisting of 12 different, dynamic worlds, which change their structures with the movement of the group of people currently being tracked.

Rooted

Elliott Gaston-Ross (GB/IE) , Indiara Di Benedetto (IT)

The project Rooted performed at the Deep Space 8K is an artistic depiction of the effects of climate change on our planet through live electroacoustic musical performance with accompanimental visual effects by Indiara Di Benedetto.

Hebocon Reloaded

Ars Electronica create your world (AT)

The goal of this year’s Hebocon Reloaded Open Lab is to build your own low-tech robot as an “alter ego” out of various materials. The end result is a great challenge event where no winner*s are crowned, but the event itself celebrates the coming together and collaborative creative activity of festival-goers, artists, and project partners. You can invest as much time as you need to create your low-tech Heboian robot.

VRA_peek

Daniel Haas (artistname STURMHERTA) (AT)

VRA_peek is an audio-visual performance, in which sound is created exclusively out of images.

Sound Campus – Talks & Presentations

Overtoon (BE), bb15 (AT), iii (NL), Lydgalleriet (NO)

Sound Campus – Workshop

Seffen Korritsch / Noisio (DE), Alwin Weber (DE)

Sound Campus – Presentations

Metaknoten (DE), Circuit Control (DE), Rundgang Ausstellung Masterstudiengang Design & Computation (Universität der Künste Berlin, Technische Universität Berlin, DE)

media-van-lab: when the wind blows from the East, we make art and (sur)render reality

Vilnius Academy of Arts (LT), MENE (LT), INSTITUTIO MEDIA (LT)

Right after the pandemic, young artists in Lithuania were hit by the war. The unrest in neighboring countries enabled them to work out how to calm down, find new ways of communication, come up with methods for resilience and survival. Let’s make art and (sur)render new virtualities to help Ukraine win. All in order to strive and continue making art. We already have Planet B more real than ever!

Robots, Bass, and Hot Algorithms!

Portrait XO (US), Moritz Simon Geist (DE)

Robots, Bass, and Hot Algorithms! In this performance AI artist Portrait XO enters the stage with Moritz Simon Geist, featuring techno robots and an AI collaborator. Hard Times — Soft Sounds

Voice in Sight

Jia-Yu Ku (TW)

Hearing-impaired people, although able to perceive sounds through their hearing aids, still have difficulty hearing clearly. When sounds cannot be fully received, everything is observed and understood visually. In this artwork, sound is transformed into waves of colors that can be displayed visually. The special device helps translate the world of auditory stimuli into visual code and presents the situation of a hearing loss through the poetry of colors and visual metaphors.

Creative Europe – Get-Together

We cordially invite our European partners and the members of our network to join us for the Creative Europe Get-Together. The Creative Europe program is a funding scheme of the European Union to support the culture, creative and audiovisual sector. This meeting gives members of cultural institutions the chance to network in a relaxed atmosphere.

Mother Gilgamesh. Linzer Klangwolke 22 presented by Sparkasse Oberösterreich & Linz AG

Brucknerhaus (AT)

Under the direction of Pierre Audi, visitors can expect an epochal journey into the mystical world of the gods between past, present and future, between earth, sky and underworld, faith, love and hope, full of impressive and breathtaking surprises.

Nachtalb

AIKEN CURA

Nachtalb is an immersive installation that enables brain-to-brain interaction. With the help of electroencephalography, brain activity is measured, reduced to a main frequency and translated in multisensory Virtual Reality.

Beyond Quantum Music — LP Duo

Sonja Lončar (RS/NL), Andrija Pavlović (RS/NL), Incredible Bob (RS)

LP Duo will premiere new original compositions written for two hybrid pianos within the art and science project Beyond Quantum Music and during their residency at the Kavli Institute — Quantum Nanoscience and Bionanoscience department (Technical University in Delft, Netherlands)

Opening Ars Electronica and Festival University 2022, Ocean Overture (Closed Event)

A literary and musical performance with texts from Stefan Zweig, read by Karl Markovics and Julia Franz Richter. With music by Claude Debussy and Philip Glass played by Maki Namekawa.

Ver-Hand-lung versus? Ver-Hand-eln

Werner Jauk (AT), Laura Sophie Meyer (DE)

Premise: The work is based on the German language, which allows the process of „Ver-hand-lung“ / negotiation to be etymologically derived from „ver-hand-eln“ through „handling“ hands. It thus iconically describes a symbolic process of negotiation, being present in english language more in the context of commercial activity as a cultural mediatization of its bodily „handling“ basis.

CoBot Studio – Research Insights into Human Robot Collaboration

Martina Mara (AT), Brigitte Krenn (AT), Roland Haring (AT), Peter Holzkorn (AT), Kathrin Meyer (DE)

How to communicate with robot colleagues, increase acceptance for them and create a safe work environment? With the “CoBot Studio” research program, the LIT Robopsychology Lab of the JKU Linz, the Ars Electronica Futurelab and five other partners have been working on these and more questions for years now.

[ɡrɐ’za]graza

Tata Frenkel (LT)

This is a performative lecture during which a certain socio-poetic reference book called Anti-saving Instrumentary is taught. These are anti-preservation instruments. Mental drawings, verbal constructs, tornadoes. [ɡrɐˈza] concerns the methods of excessive interpretation — which the author creates here and now based on the principle of synecdoche.

BIO AUSTRIA – Farmers Market

BIO AUSTRIA (AT)

Regional producers offer their sustainable, home-grown delicacies — first-class food without unnecessary additives, pesticides or fertilizers, seasonal and regional. The festival is truly enriched by this local produce.

When the Wind Blows from Everywhere, We Make Art and (Sur)render Reality

Vilnius Academy of Arts (LT), MENE (LT), INSTITUTIO MEDIA (LT)

You and I, You and Me

Mindaugas Gapsevicius (LT) in collaboration with Maria Safronova Wahlström (SE)

You and I, You and Me explores the possibilities of communication through electricity. It proposes that electricity could help to reveal the imperceptible connections between different actors within the environment. How far could electricity help in understanding others? Is there a possibility to alter human senses by electric impulses? The participatory event invites the audience to imagine the future and to experience the environment by wearing jewelry, shoes, and headwear.

Off to NEW ENCOUNTERS

Teufelberger (AT), Ars Electronica (AT)

Probably one of the most spectacular domains for encounter at the festival is the treetop talk developed jointly with the Teufelberger Group.

Jobbuffet – about working and providing work

AMS (AT), Ars Electronica (AT)

In cooperation with the AMS — Arbeitsmarktservice (Public Employment Service), we are addressing a paradox in European labor markets that affects virtually every industry: that while jobs are available, the standards and demands of employees have reconfigured and changed.

Buffer Overflow the Mindframes!

Bauhaus-University Weimar (DE)

The students present a live improvised audiovisual concert where the sound component is on an equal footing with the video. The dramaturgy follows a clear line and combines numerous abstract forms of visualization and programming. Buffer Overflow the Mindframes! refers to the rise of pop-cultural references in digital media in the early 2000s, but instead of the tedious processes of that time, improvisation and recombination are part of the artistic expression.

Reading: Tüchtige Arbeiter

The play “Tüchtige Arbeiter” (“Hard Workers”) deals with a question of conscience that shakes up and confronts the fate of humanity ubiquitously and usually too late: How far do we use our talents to advance – or destroy – our species?

Ars Electronica Award Ceremony

The spotlight is on this year’s winners and their prize-winning projects at the official Award Ceremony of Prix Ars Electronica Golden Nicas and STARTS’ 22 Prizes.

Sound Installations

Anton Bruckner Private University, Linz (AT)

Dive deep into immersive electronic music with the 20.4 system of the Sonic Lab. This is a concert designed to perceive spatial music selected from the Call for Contributions. The program shows a variety of styles of multichannel music from around the world.

Sonic Saturday: Medium Sonorum Concert

Anton Bruckner Private University, Linz (AT)

Introducing SADISS, a tool for bundling smartphones into monumental yet intricate sound systems or choirs

Lukas Bindeus, Mathias Bindeus, Isabella Forciniti (IT), Volkmar Klien (AT), Tobias Leibetseder (AT) and Astrid Schwarz (AT)

The workshop presents a hands-on introduction to SADISS, a web-based application developed in the research project “The Choir & the Sound System” at Anton Bruckner Private University. SADISS enables socially aggregated, digitally integrated sound systems to create two different forms of portable seas of sound.

Perceiving augmented sound field: the Hybrid Audio Diffusion System (HADS)

Enrique Mendoza (MX)

The HADS is a monitoring system design that combines open headphones and speaker arrays to create augmented immersive sound fields. Combining the egocentric frame of reference fixed to the head (with headphones) and the allocentric frame of reference fixed to the room (with a 20.4 speaker array), the workshop focuses on presenting participants with multiple frames of reference in an immersive 3D Audio experience

OTTOsonics: designing an accessible ambisonics venue

Manuel Mitterhuber (AT), Rojin Sharafi (IR) & Enrique Tomás (ES)

OTTOsonics is a collective project by sound artists, developers, scholars and sound engineers working on accessible audio technologies for immersive sound production. Putting the focus on the needs of artists as well as non-specialized cultural and educational institutions, our objective is facilitating the use of immersive audio. In this workshop we will introduce and discuss our methods towards designing, building and maintaining an accessible high-density array of 3D-printed loudspeakers (100 speakers or more).

Sound Campus

University of Art and Design Linz (AT)

For three days, Sound Campus will create a field of action in the courtyard at Hauptplatz 6 for experimental music, installative space-sound concerts, performances, soundscape and DJ sessions, as well as open encounters in workshops, discussions and presentations as part of Ars Electronica.

ECOLALIA

Klaus Spiess (AT), Ulla Rauter (AT), Emanuel Gollob (AT), Rotraud Kern (AT)

By 2100, one third of biological species and nine tenths of languages will have disappeared. Under the impact of this simultaneous decline in diversity, we design ECOLALIA, a poetry of extinction and disappearance as a deep learning process emanating from the real-time chemo-vibrational conditioning of oral microbes. Audiences visually and aurally attune their speech sounds to the life and death of their fragile oral flora, becoming bilingual co-authors of the post-anthropocene.

Have You Seen Her…?

Dora Ytzell Bartilotti (MX)

Participatory art piece that seeks to generate a poetic gesture of search and collective demand to make present our missing women, victims of forced disappearance in Mexico. The project seeks to bring together a polyphony of voices around the question “La has visto…?” (“Have you seen her?”) through a sound sculpture and a series of fabric strips. Each strip corresponds to a missing identity, to each of them the question: “La has visto?”

Laurie Anderson (US), Filharmonie Brno (CZ), Dennis Russell Davies (US/AT), Rubin Kodheli (US)

Maki Namekawa (JP), Cori O’Lan (AT)

The Bruckner Orchestra (AT) / Norbert Trawöger (AT)

Mikael Fock (DK), Carl Emil Carlsen (DK), Emilie Rasmussen (DK), Cecilie Waagner Falkenstrøm (DK) Yann Coppier (DK), Vertigo (DK)

Ars Electronica Center

VH AWARD

Maja Smrekar (SI), Jonas Jørgensen (DK)

Daniel Kohlmeigner (AT), Martin Retschitzegger (AT), Cat Jimenez (AT)

B. Lawrence (NZ), T. Robb (NZ), B. Woodhouse (NZ), D. Hurley (NZ), M. Davis (NZ), U. Rieger (NZ), Y. Liu (NZ), R. McColl (NZ), S. Masoud-Ansari (NZ), J. Reeve (NZ), Charlotta Windahl (SE/NZ)

Shota Yamauchi (JP)

MencheLAB (AT), powered by Max Perutz Labs (AT), a joint venture of the University of Vienna (AT) and the Medical University of Vienna (AT)

Smirna Kulenovic (BA), Damian Cortes-Alberti (AR), Julia Moser (AT), Alejandra Benet Garcia (ES), Laura Gagliardi (IT), Lucia Mauri (IT), Ariathney Coyne (EL/US), Alessia Rizzi (IT), Lina Pulido Barragan (CO), Sara Koniarek (AT), Maria Dierneder (AT), Felix Chang (AT), Daphne Xanthopoulou (EL)

Clara Francesca (AU/IT), Anne Wichmann (She’s Excited!) (DE), Letizia Artioli (IT), Luca Cacini (IT)

Aalto University School of Arts, Design and Architecture (FI)

Crystn Hunt Akron (AT) , Christopher Noelle (DE)

Silke Grabinger (AT)

Kaoru Tashiro (JP), Razieh Kooshki (IR), Vahid Ghaderi (IR)

Kat Austen (DE/UK)

Uwe Rieger (DE/NZ), Yinan Liu (NZ), Tharindu Kaluarachchi (LK), Amit Barde (IN)

Botond Kelemen (HU), Bálint Budai (HU), Daniel Haas (artistname STURMHERTA) (AT )

Elliott Gaston-Ross (GB/IE) , Indiara Di Benedetto (IT)

Ars Electronica create your world (AT)

Daniel Haas (artistname STURMHERTA) (AT)

Overtoon (BE), bb15 (AT), iii (NL), Lydgalleriet (NO)

Seffen Korritsch / Noisio (DE), Alwin Weber (DE)

Metaknoten (DE), Circuit Control (DE), Rundgang Ausstellung Masterstudiengang Design & Computation (Universität der Künste Berlin, Technische Universität Berlin, DE)

Vilnius Academy of Arts (LT), MENE (LT), INSTITUTIO MEDIA (LT)

Portrait XO (US), Moritz Simon Geist (DE)

Jia-Yu Ku (TW)

Brucknerhaus (AT)

AIKEN CURA

Sonja Lončar (RS/NL), Andrija Pavlović (RS/NL), Incredible Bob (RS)

Werner Jauk (AT), Laura Sophie Meyer (DE)

Martina Mara (AT), Brigitte Krenn (AT), Roland Haring (AT), Peter Holzkorn (AT), Kathrin Meyer (DE)

Tata Frenkel (LT)

BIO AUSTRIA (AT)

Vilnius Academy of Arts (LT), MENE (LT), INSTITUTIO MEDIA (LT)

Mindaugas Gapsevicius (LT) in collaboration with Maria Safronova Wahlström (SE)

Teufelberger (AT), Ars Electronica (AT)

AMS (AT), Ars Electronica (AT)

Bauhaus-University Weimar (DE)

Anton Bruckner Private University, Linz (AT)

Anton Bruckner Private University, Linz (AT)

Lukas Bindeus, Mathias Bindeus, Isabella Forciniti (IT), Volkmar Klien (AT), Tobias Leibetseder (AT) and Astrid Schwarz (AT)

Enrique Mendoza (MX)

Manuel Mitterhuber (AT), Rojin Sharafi (IR) & Enrique Tomás (ES)

University of Art and Design Linz (AT)

Klaus Spiess (AT), Ulla Rauter (AT), Emanuel Gollob (AT), Rotraud Kern (AT)

Dora Ytzell Bartilotti (MX)

WELCOME TO PLANET B

#arselectronica

Daniel Kohlmeigner (AT), Martin Retschitzegger (AT), Cat Jimenez (AT) 

Crystn Hunt Akron (AT) , Christopher Noelle (DE)

Botond Kelemen (HU), Bálint Budai (HU), Daniel Haas (artistname STURMHERTA) (AT )

Elliott Gaston-Ross (GB/IE) , Indiara Di Benedetto (IT)